Roman and Sasanian Style Gemstone Group

Showing Christ Pantocrator (Lord of the Universe) making a blessing gesture with the right hand, the left hand holding the gospel, covered with an elaborate silver oklad marked 84, with repoussé and chased decoration, incised Cyrillic inscription on the Gospel, and on the bottom an incised Cyrillic inscription 'Господь Вседержитель'= Lord Almighty. 498 grams, 22.5 x 18 cm



Property of a London, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

This fine Russian religious work depicts Christ Pantocrator, ‘Almighty’ or ‘All Powerful’. It is a compound word formed from the Greek words for ‘all’ and the noun ‘strength’ (kratos). In Orthodox Christianity, his icon is one of the most common religious images. The 'oklad', or protective covering of the icon, was made from silver, often gilt, sometimes with cloisonné enamel decorations, and always decorated with geometric floral patterns. The style of Christ recalls the work of Ivan Semenovich Gubkin, an embosser active in Russia at the beginning of 20th century.

Executed in oil and tempera and gold leaf; the central panel with the veiled head of Mary with her head inclined towards the infant Jesus supported by her left hand, wearing a red maphorion mantle with elaborate golden borders, over an off-white robe, with gold cuffs; the infant facing to left, dressed in blue tunic and wrapped in a yellow shawl, right hand extended in blessing gesture, Greek inscriptions ΜΡ ΘΥ (Μήτηρ (τοῦ) Θεοῦ = Mother of God) flanking Mary's head, and 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ) beside the infant; the side panels with icons of Saints Kosmas and Damianos (upper sections) and Saint George killing the dragon and Saint Barbara (lower sections). 425 grams, 20.5 cm



Property of a London, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Even after the fall of Constantinople, icons painted on wood remained the principal object of devotion for Orthodox Christians wherever the commonwealth of the Eastern Roman Empire left its traces. The painted icons are still used by the Orthodox for personal devotion, for display in churches on feast days, and to decorate the iconostasis (partition) of the church. This icon is a portable one, for domestic or travel prayers.

With rosette cluster to each arm and hub, central cell with inset rock crystal(?) stud, floral detailing to the reverse, loop with rosettes. 8.2 grams, 43 mm



From the collection of a European lady; part of a private collection formed in Germany in the 1990s. Property of a Californian, USA, collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.