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LOT 0565
Roman and Other Mosaic Glass Bead Collection
1ST CENTURY A.D. AND LATER
3/8 - 1/2 in. (4.08 grams total, 7-12 mm).
Comprising millefiori glass bead elements and other types. [7, No Reserve]
ProvenanceUK gallery, early 2000s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Roman Terracotta Lamp with Butcher's Shop Scene
Circa 1st century A.D.Sold for (Inc. bp): £351
The discoid body with loop handle, volute nozzle and ring foot, displaying a raised butcher's shop scene to the discus; handle repaired. 87 grams, 12.2 cm
Ex collection of a Cambridge lady, 1990s. -
Roman Bronze Ram Statuette
1st-4th century A.D.Estimate: £180 - 240 (+bp*)
Opening Bid: £100
Modelled standing in the round with naturalistic detailing, curled horns and standing on a rectangular base. 73 grams, 45 mm wide
‘The Ancient Menagerie Collection’ formerly the property of a Cambridgeshire lady, collected since the 1990s and acquired from auctions and dealers throughout Europe and the USA, now ex London collection. -
Roman and Later Bronze Artefact Group
3rd-4th century A.D. and laterSold for (Inc. bp): £130
Comprising various figures and mounts including: a sheep, a fly, a peacock, an anthropomorphic head, a mount with a lying feline and a crouching figure. 94 grams total, 18-40 mm
Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance.
In the art of late antiquity and early Christianity, during the Christian Middle Ages to the present, peacock held a prominent place, not only as a decorative motif, but also as a distinctive emblematic and symbolic sign. Its image was usually combined with a kantharos or a tree of life. Individually or in pairs, it was usually represented on places which were the ones closest to the holiest part of churches (altar’s parapet wall panels). Votive statuettes were brought in the church by the believers.
