Roman and Other Mixed Bead Group

The coin mounted on 22 carat gold foil, framed with an art print signed by the artist David McAllister, depicting scenes of Roman military activity; limited edition number 22/1150. 1.3 kg, 36.5 x 49 cm



Essex gallery, early 2000s.

David McAllister's exciting design is a 'one of a kind' work that portrays the might and riches of the Roman civilisation. This limited edition print is a celebration of the award winning artist's lifetime dedication to historical paintings of the ancient world. To enhance appreciation of this rare and historic work, each individual print is signed and numbered by the artist.

With luxuriant long wavy hair and characteristic vertical locks at the forehead, full beard with two large ringlets below the chin, wearing a chiton and a himation draped over the left shoulder, the head surmounted by a corn modius decorated with olive branch in relief, the bust supported on the back of an eagle standing atop an orb with spread wings, the eagle with its head slightly turned to the left, the feathers finely detailed; a finial from a staff or a ceremonial standard. 1.4 kg, 29.5 cm high

Repaired.

Ex private collection, South Germany, 1980. with Gorny and Mosch, Munich, 13 December 2003, lot 74. with Christie's, New York, 8 June 2012, lot 239. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11789-206489.

The Emperor Septimius Severus (193-211 A.D.) modelled many of his portraits based on Serapis. But it was under Hadrian that the refurbishment of the statue in the Serapeum increased the demand for small-scale images, like this one, probably made during his reign and used atop of a processional sceptre or standard for the cult of the god.

The fighting venator dressed in a long sleeved tunic embroidered with orbiculi and pectorarin, segmenta on the sleeves, brandishing a javelin of venabulum type; suspension loop to the reverse. 18 grams, 70 mm



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.

The combat scene is likely a reference to the gladiatorial fights between men and animals; such games in the arena were a principal form of entertainment through the Roman Republic and Roman Empire. Both men and women would partake in such fights. The venatores (hunters) were the most specialised in this field, fighting with a spear with winged blades and long knives (culter venatorius).