Roman Agate Gemstone of Pantheistic Deity in Gold Ring

Hollow-formed with flange rim and stepped bezel, inset intaglio profile bust of Athena in crested helmet; sinistrograde legend to bottom edge 'ΚΡΑΤΙΜΠ*'; supplied with a museum-quality impression. 20.80 grams, 33.33 mm overall, 22.23 mm internal diameter (approximate size British Z, USA 12 1/2, Europe 28.77, Japan 27)



with Bertolami Fine Arts, London, Auction 66, no.481. Private collection, England. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13121-249538.

The coin of Constantine the Great (272-337 A.D.) mounted on 22 carat gold foil, framed with an art print signed by the artist David McAllister, depicting scenes of Roman military activity; limited edition number 172/1150. 1.26 kg, 49.5 x 37.5 cm



UK gallery, early 2000s. Accompanied by a previous numbered certificate of authenticity.

David McAllister's exciting design is a 'one of a kind' work that portrays the might and riches of the Roman civilisation. This limited edition print is a celebration of the award winning artist's lifetime dedication to historical paintings of the ancient world. To enhance appreciation of this rare and historic work, each individual print is signed and numbered by the artist.

Depicted in a standing position with an erect head, the detailed claws resting on a pedestal base, folded wings and a long tail; detailed engraving of feathers, superb rendering of the beak and round eyes; Greek inscription on the front and left side of the raised square pedestal, having a square socket allowing the insertion in a staff or shaft; the inscription could be translated as: '[Ο]Ι [ΤΗ]Σ Δ[ΙΟΣ] = To Zeus / [Ε]ΤΑ[Ι]Ρ[ΕI] (?)ΡΡΑΣ = those of the association of ? ..RRAS / ΕΥΧ ΗΝ = in fulfilment of a vow'. 233 grams, 95 mm



UK private collection before 2000. Acquired on the UK art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13060-248309.

In the Roman world the eagle, bird associated with the god Jupiter or Zeus (Aetos Dios = Eagle of Zeus), king of the Olympian gods, and one of his most common attributes together with thunderbolt and the long sceptre, was seen as ‘the symbol and agent of apotheosis after death’ and an eagle was released from the top of an emperor’s funeral pyre to signal the journey of the soul heavenwards. Eagles were also the principal standard of the Legions, in gold or silver, and became the military symbol for excellence. However, the eagle was not reserved only for the ruling class or for military people, but was also found on funerary altars and dedications of private citizens. As is so often the case with metal figurines, nineteen of the eagles found in Britain are from unknown contexts, but they are found at a variety of site types, including four from military sites and three from urban sites. Apart from two from villas, they do not occur at rural settlement sites or at religious sites other than the temple at Woodeaton, Oxon, where a small group of five eagle figurines was recovered (Kirk, 1949; Henig and Munby, 1973). Also of interest is the eagle figure thought to have been a sceptre terminal, which was recovered from the temple at Farley Heath, Surrey. A second sceptre terminal, identified variously as an eagle or raven, was also part of the hoard found at Willingham Fen (Bird 2007, 49 no. 81, fig. 21).