Rock Crystal Cat Amulet Set

Finely engraved intaglio portraying a left-facing bust of Henry IV (1553–1610), King of France, in armour, with a decorated gorget and distinctive curled beard, set in a high-carat gold bezel and later fitted with a modern plain shank; supplied with a museum-quality impression. 5.24 grams, 21.83 mm overall, 19.35 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)



Acquired on the European art market.

The engraving is directly after a medallic portrait by Guillaume Dupré, Henry IV’s official medallist, which was widely circulated during the king’s reign and thereafter. The king’s profile is clearly drawn from a familiar medallic type, often used in the 17th and 18th centuries as a symbol of royal authority and dynastic legitimacy.

Vibrant red carnelian intaglio skilfully carved with a bust of a mature man in three-quarter view, gazing right, wearing a wide-collared, buttoned tunic and a cap, long curly hair framing his bearded face with a deeply furrowed forehead; set in a gold frame with an amphora-like looped handle; supplied with a museum-quality impression. 11.72 grams, 33 mm



Acquired on the European art market.

Edward Burch (1730–1814) was a distinguished English gem engraver and miniaturist, celebrated for his intricate craftsmanship and artistic versatility. A founding member of the Royal Academy of Arts in 1768, Burch gained acclaim for his engraved gemstones, which often depicted classical and mythological themes, reflecting the neoclassical style of the Georgian era. His skill in miniature painting further demonstrated his artistic range and mastery of detail. Highly respected in his time, Burch’s works remain admired for their technical precision and elegance, preserving his legacy as a key figure in 18th-century British art. Inigo Jones (1573–1652) was a pioneering English architect who is widely regarded as the first significant figure to introduce the principles of Renaissance architecture to England. Influenced by his studies in Italy and the works of Andrea Palladio, Jones designed elegant structures characterised by classical symmetry, proportion, and restraint. His most famous works include the Banqueting House at Whitehall, the Queen’s House in Greenwich, and contributions to the layout of Covent Garden. Jones’s adoption of Palladian ideals marked a departure from the Gothic style that had dominated English architecture, laying the foundation for subsequent developments in the Classical tradition.

Keeled hoop with decorative panels on the shoulders, oval bezel set with a green glass cabochon with a profile bust. 12.24 grams, 32.81 mm overall, 19.86 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21)



London, UK, collection, 1980s-1990s.