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_900x900.jpg "Renaissance Stained Glass Panel of Saint Leodegar Accompanied by the Arms of Dukedom of Alemannien")
_200x200.jpg "Renaissance Stained Glass Panel of Saint Leodegar Accompanied by the Arms of Dukedom of Alemannien")
.jpg "Renaissance Stained Glass Panel of Saint Leodegar Accompanied by the Arms of Dukedom of Alemannien")
LOT 2188
Renaissance Stained Glass Panel of Saint Leodegar Accompanied by the Arms of Dukedom of Alemannien
SWITZERLAND, LUCERNE, CIRCA 1520-1540 A.D.
38 1/8 in. (6 kg total, 97 cm high).
Rectangular window glass in lead cames with painted image of St. Leodegar standing in a wooded landscape wearing his episcopal mitre and robes, heater shield at bottom; wooden frame; damaged, the glass elements conserved and available for restoration. [No Reserve]
ProvenanceCollection of Lord Sudeley, Toddington Manor, Gloucestershire.
with Schweizer Glasmalereien Vorwiegend des XVI & XVII Jahrhunderts, Munich, Hugo Helbing, 4 October 1911, no.7.
UK Trade, 2018.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12567-230649.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Leodegar of Poitiers (c. 615 – October 2, 679 AD) was a Burgundian noblemen and Bishop of Autun, son of Saint Sigrada and brother of Saint Warinus. He was an opponent of Ebroin, the Frankish Mayor of the Palace of Neustria, who arranged for him to be blinded and have his tongue cut out. He was later made a martyr and canonised.
Lord Sudeley's collection at Toddington Manor, Gloucestershire, was a treasure trove of Gothic Revival architecture, art, and history, reflecting his deep involvement in the manor's design with over 580 architectural drawings. His collection boasted exquisite 17th-century tapestries, heraldic stained glass, and historical artefacts that chronicled the family's lineage, including links to significant English historical events. Financial difficulties led to the dispersal of these items through auctions, yet the legacy of Toddington Manor endures as a testament to one of Britain's cultural and architectural gems.
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AUCTIONS:
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LOT 2188
Renaissance Stained Glass Panel of Saint Leodegar Accompanied by the Arms of Dukedom of Alemannien
Sold for (Inc. bp): £2,600
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Blue Glass Bead Necklace String
20th century A.D. or earlierSold for (Inc. bp): £7
Restrung; composed of translucent blue glass beads formed of reused glass bangle fragments, interspersed with umber-coloured spacer beads. 11.5 grams, 76 cm long
UK gallery, early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Queen Anne Engraved Gold Memento Mori Skull Ring
Dated 1706 A.D.Sold for (Inc. bp): £1,300
With stylised skull to the outer face, engraved to the inner face 'E. Judd ob. 6 June 1706 and maker's mark 'ID' for Josiah Daniel, London goldsmith of the early 18th century. 4.30 grams, 20.77 mm overall, 18.03 mm internal diameter (approximate size British P 1/2, USA 7 3/4, Europe 16.86, Japan 16)
Acquired on the UK art market. Property of an East Sussex collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Russian Icon with Bust of Christ Pantokrator
17th century A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,350
Rectangular wooden board with mounting bars to reverse, silver-coloured metal riza with reserved epigraphic panels and circular void to reveal painted icon beneath; separate two-piece gilt revetment, the upper with pierced edge and reserved capitals, the scooped lower panel bearing reserved tendril ornament. 1.53 kg. 30.5 x 26 cm
Acquired on the UK art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12553-231940. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
