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LOT 2188
Renaissance Stained Glass Panel of Saint Leodegar Accompanied by the Arms of Dukedom of Alemannien
SWITZERLAND, LUCERNE, CIRCA 1520-1540 A.D.
38 1/8 in. (6 kg total, 97 cm high).
Rectangular window glass in lead cames with painted image of St. Leodegar standing in a wooded landscape wearing his episcopal mitre and robes, heater shield at bottom; wooden frame; damaged, the glass elements conserved and available for restoration. [No Reserve]
ProvenanceCollection of Lord Sudeley, Toddington Manor, Gloucestershire.
with Schweizer Glasmalereien Vorwiegend des XVI & XVII Jahrhunderts, Munich, Hugo Helbing, 4 October 1911, no.7.
UK Trade, 2018.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12567-230649.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Leodegar of Poitiers (c. 615 – October 2, 679 AD) was a Burgundian noblemen and Bishop of Autun, son of Saint Sigrada and brother of Saint Warinus. He was an opponent of Ebroin, the Frankish Mayor of the Palace of Neustria, who arranged for him to be blinded and have his tongue cut out. He was later made a martyr and canonised.
Lord Sudeley's collection at Toddington Manor, Gloucestershire, was a treasure trove of Gothic Revival architecture, art, and history, reflecting his deep involvement in the manor's design with over 580 architectural drawings. His collection boasted exquisite 17th-century tapestries, heraldic stained glass, and historical artefacts that chronicled the family's lineage, including links to significant English historical events. Financial difficulties led to the dispersal of these items through auctions, yet the legacy of Toddington Manor endures as a testament to one of Britain's cultural and architectural gems.
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AUCTIONS:
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LOT 2188
Renaissance Stained Glass Panel of Saint Leodegar Accompanied by the Arms of Dukedom of Alemannien
Sold for (Inc. bp): £2,600
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Roman Style Bust Group
20th century A.D.Sold for (Inc. bp): £20
Comprising: gilded bust of Augustus on a columnar stand; composition bust of a Roman lady with head turned, diadem in the hair. 2.2 kg total, 20.2-21.7 cm
Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Greek Wooden Icon with Christ 'O Elkomenos'
Early 19th century A.D.Sold for (Inc. bp): £117
Depicting Christ dressed in a long purple tunica talaris embroidered with long central vertical gold clavi (stripes) and appliques on the cuffs and around the neck; the dress fastened at the waist by a rope; crowned with thorns and holding an olive branch in his hand; Greek inscription 'Ο ΕΛΚOΜΕΝΟΣ' (= the One who came [in the Name of God]), on the background, and three letters inside the nimbus representing the continuous divine self-existence of Christ as God ('O ѾN' = The Only One who always exists); tempera on wood. 303 grams, 19 x 15 cm
Property of a London, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Christ, bound and crowned with thorns, is here represented before his Crucifixion. The icon is intended to depict the humility of Christ, ready to be raised on the cross, bringing peace to the humanity (olive branch). The purple robe represents the royalty of Christ, who nevertheless, despite being King of the Universe, humbles himself for the salvation of mankind. -
Framed Original Coloured Book Plate with Knights Fighting
Circa 1843 A.D.Sold for (Inc. bp): £7
Leaf from a 19th century book with illustrations of armoured figures attacking each other on horseback, hand-coloured with watercolours; printed 'Knights Fighting' title below; with card reveal and glazed wooden frame. 1.07 kg, 42.5 x 29 cm
Acquired on the UK art market. Property of an Essex, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.