Renaissance Lead Fragment of a Draped Female

Representing Saint Nicholas of Mira, with a Gospel in his left hand and making the gesture of blessing with his right, dressed as a bishop, with sticharion, covered by omophorion, and surmounted by an epitrachelion, all embroidered with crosses; the saint flanked by Jesus and Virgin Mary, Christ holding the Gospel, Mary the bishop’s epitrachelion; Cyrillic inscriptions 'Saint Nikolaos the Wonderworker (СВЯТЫЙ НИКОЛА ЧУДОТВОРЕЦ), Iesus Christos (ΙΣ ΧC) and Mother of God (ΜΡ ΘΥ)' on the enamelled background. 341 grams, 12.1 cm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The icon features meticulous craftsmanship typical of Orthodox iconography. The enamel colors, despite the passage of time, retain their vibrant intensity, highlighting the key elements of the depicted images. The refined details and use of enamel give depth and luminosity to the icon, making it a precious example of the Russian Orthodox tradition.

A large wood cabinet glazed on three sides for the display of a suit of armour or similar; internal light; for collection from our Head Office in Harwich only. Approximately 80 kg, 191 x 69 x 80.5 cm



Property of a UK gallery.

The horse in advancing pose with its head turned to the right and left foreleg raised, on a rectangular base; the female rider erect with her left arm held extended and her right placed on the horse's shoulder; remains of painted detailing to the robe; repaired. 2.7 kg, 40.7 cm high



Acquired on the UK art market.