Loading, please wait...
LOT 0358
Renaissance Gold Ring with Toadstone
WESTERN EUROPE, 16TH CENTURY A.D.
1 1/4 in. (13.01 grams, 32.42 mm overall, 23.12 x 19.25 mm internal diameter (approximate size British V 1/2, USA 10 3/4, Europe 24.4, Japan 23)).
Featuring a round-section large hoop expanding towards the shoulders, a large circular bezel with a Greek key motif encircling the outer rim and set with a brown 'toadstone'.
ProvenanceAcquired on the European art market.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13398-257996.
Cf. the Victoria and Albert Museum, London, accession numbers: M.250-1962 & 389-1864, for similar examples; The British Museum, London, museum no. AF.1024, for similar; The Ashmolean Museum, accession nos.WA1897.CDEF.F817 and WA1897.CDEF.F589, for similar.
FootnotesWilliam Shakespeare’s As You Like It, circa 1599: 'Sweet are the uses of adversity, Which, like the toad, ugly and venomous, Wears yet a precious jewel in his head.' Toadstones are mythical stones that were thought to be found inside the head of a toad. They were believed to sweat, change colour or even heat up in the presence of poison. It was thought that a toadstone placed on bites from snakes, insects, spiders and shrews would extract poison from the wound. They were thought to bring good luck and ward off evil, whether in the present life or in the afterlife. The Book of Secrets from the 13th century recommends swallowing the stone to 'cleanse the bowels of filth and excrements'. The stone could then be retrieved and used again. They were often set as amulets and talismans, a practice that continued in Europe until the 18th century. Toadstones are actually the button-like fossilised teeth of Lepidotes, an extinct genus of fish common in the Jurassic and Cretaceous Periods, 200 to 100 million years ago.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0358
Renaissance Gold Ring with Toadstone
Estimate £8,000 - 10,000€9,280 - 11,600 (for guidance only)$10,800 - 13,500 (for guidance only)
Opening Bid
£4,000 (EUR 4,640; USD 5,400) +BP*
-
WWI Bronze Button with Cannon and Shot
20th century A.D.Estimate: £20 - 30 (+bp*)
Opening Bid: £5
Military uniform button, domed in profile with loop to reverse; low-relief cannon, ramrod and shot reserved against a hatched field; Austro-Hungarian field artillery regimen. 3.8 grams, 23 mm
From the private collection of Mr Brian Edwards, New Malden, Surrey, UK, formed from the late 1970s-early 1980s; thence by descent. Accompanied by the original collector's data sheet(s) with reference no.A95. -
Egyptian Style Green Stone Hedgehog Amulet
20th century A.D. or earlierEstimate: £80 - 100 (+bp*)
Opening Bid: £5
Plano-convex in section, asterisk to underside, eyes drilled to accept inserts. 1.58 grams, 19 mm
Acquired on the European art market in the early 2000s. with Galerie Rhéa, Zurich, Switzerland. -
Melody Maker Magazine Original Advertising Poster
1950s A.D.Estimate: £80 - 100 (+bp*)
Opening Bid: £5
Off-white ground with dark blue masthead 'Meldoy Maker / World's Largest Net Sale ' red blocked text and dark blue footer 'Every Friday - 6d'; footnote 'Printed and issued by Odhams Press, Long Acre, London WC2'. 22 grams, 76.2 x 50.6 cm
Acquired on the UK art market. Property of a Harwich, UK, collector.
'Melody Maker' was an important music-industry weekly magazine which was founded in 1926 by the publisher Lawrence Wright, aimed at dance band musicians under the title 'The Melody Maker and British Metronome'. The footnote reference is to the Odhams publishing venture which folded in 1968.