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LOT 0392
Renaissance Gold Pendant with Agate Gemstone of Cupid
ITALY, LATE 16TH-EARLY 17TH CENTURY A.D.
3 in. (13.53 grams, 75 mm).
Cupid shown standing amid the vegetation, his wings and arms spread and holding two short staffs in his hands, clouds and the sun above; set in a gold frame with a conical pendant drop below; supplied with a museum-quality impression.
ProvenanceAcquired on the European art market.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13341-257981.
Cf. two similar examples in the British Museum, bequeathed by Sir Hans Sloane in 1753, museum nos.SLBCameos.4 & SLBCameos.138; AG Wien III, 2703.
FootnotesThe cameo shows a Cupid in the same style as the one in the British Museum Sloane collection. Cupid was a very popular motif in 17th-century Italian artistic production. The presence of Cupid on the cameo implies amorous attachment, or sometimes, amorous conflict. The cameo shows a sophisticated atmosphere, relayed in the brown and grey colours.
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AUCTIONS:
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LOT 0392
Renaissance Gold Pendant with Agate Gemstone of Cupid
Estimate £2,000 - 3,000€2,320 - 3,480 (for guidance only)$2,700 - 4,050 (for guidance only)
Opening Bid
£1,000 (EUR 1,160; USD 1,350) +BP*
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Carnelian Gemstone of the Prince of Troy in Gold Ring
Italy, 19th century A.D.Estimate: £3,500 - 4,500 (+bp*)
Opening Bid: £1,750
An oval orange carnelian intaglio with a profile bust of Paris wearing a Phrygian cap, his long locks cascading from underneath it, a Greek pseudo-signature for Maronos on the field; set in a later swivel-ring; supplied with a museum-quality impression. 5.04 grams, 21.88 mm overall, 18.74 mm internal diameter (approximate size British M, USA 6, Europe 12.46, Japan 12)
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13337-257952.
In Classical as in Neo-Classical art, Paris is often depicted wearing the Phrygian cap, and typically portrayed in Persian-style attire, featuring long sleeves and trousers, and a cloak. -
Post Medieval Gilt Bronze Chalice with Biblical Proverb in Latin
Continental Europe, circa 19th century A.D.Estimate: £800 - 1,000 (+bp*)
Opening Bid: £400
Squat in profile with stepped and carinated foot, deep shoulder to the bowl; engraved to the outer face in batada script between double horizontal rulings the legend 'Luxuriosa res vinum et tumultuosa ebrietas', a quotation from the biblical book of Proverbs, 20:1, translating to 'Wine is [a] luxurious [thing], and drunkenness is riotous'. 575 grams, 11.2 cm wide
Acquired in Paris, France, circa 2000. Personal collection of a Suffolk lady, UK.
The biblical sentence was retaken by Saint Paul, who, wanting to warn the believers against the power of wine, similarly instructed by saying: ‘Beware of drunken wine, where there is luxury’. This kind of gluttony was considered by the Fathers of the Church dangerous, in that, after it has deprived the drinker of all rational sense, it opens and reveals and releases from his chest every secret, every hidden thing: it was considered a prodigal throwaway of its own goods and those of others, deaf to rebukes, and a destroyer of every praiseworthy custom. -
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Silver Pendant in the form of Saint Anthony of Padua and Christ Child
Spain, 17th century A.D.Estimate: £600 - 800 (+bp*)
Opening Bid: £300
Modelled in the round, Saint Anthony standing on a square base and holding the infant Jesus, who is holding a lily in his left hand; the saint dressed in long robes tied at the waist with a rope, loop at the rear and a separately made base. 64 grams, 58 mm
Acquired on the European art market.
