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LOT 0372
Renaissance Gold and Enamelled Crucifix Pendant
SPAIN, 16TH CENTURY A.D.
3 in. (8.56 grams, 75 mm).
The limp body of Christ hanging from the cross, wearing an enamelled loincloth, the bones of Adam at his feet; above his head a plaque mocking the saviour, hung by Pilate with the initials ‘INRI’, an abbreviation of the Latin ‘Iēsus Nazarēnus, Rēx Iūdaeōrum’, translating as 'Jesus the Nazarene, King of the Jews’; carefully rendered three-dimensional cross imitating the grain, knots and stumps of the wood, a baroque pearl suspended from both arms and the base of the cross.
ProvenanceAcquired on the European art market.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13402-257995.
See a similar example sold by Sotheby’s, London, European Sculpture & Works of Art, 4th December 2013, Lot 58.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Chalcedony and Silver-Gilt Bust of the Emperor Vespasian
Italy, 17th-18th century A.D.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £750
The head, carved from pale green chalcedony, polished to a smooth lustre and with a drilled aperture at the crown, the hair in tight curls around the nape and crown; the silver-gilt torso dressed in a draped toga carefully chased with deep folds and traces of gilding across the high points; mounted on a later patinated bronze column stand in the neoclassical manner. 208 grams total, 10.9 cm high including stand
Acquired on the European art market.
This small-scale portrait evokes the Roman tradition of imperial portraiture and the early modern fascination with the ancient world. From the seventeenth century onwards, artists and collectors revived classical subjects through hardstone and gilt-metal compositions, often intended for display in Kunstkammer or Grand Tour contexts. The combination of a reused ancient or earlier element with a later mount was a practice typical of the Renaissance and Baroque periods, reflecting the period’s reverence for antiquity and its imaginative recontextualisation of ancient forms. -
Melody Maker Magazine Original Advertising Poster
1950s A.D.Estimate: £80 - 100 (+bp*)
Opening Bid: £40
Off-white ground with dark blue masthead 'Meldoy Maker / World's Largest Net Sale ' red blocked text and dark blue footer 'Every Friday - 6d'; footnote 'Printed and issued by Odhams Press, Long Acre, London WC2'. 22 grams, 76.2 x 50.6 cm
Acquired on the UK art market. Property of a Harwich, UK, collector.
'Melody Maker' was an important music-industry weekly magazine which was founded in 1926 by the publisher Lawrence Wright, aimed at dance band musicians under the title 'The Melody Maker and British Metronome'. The footnote reference is to the Odhams publishing venture which folded in 1968. -
Tudor Period Ring with DE and Cross
Circa 16th century A.D.Sold for (Inc. bp): £52
Substantial ring with fluted shoulders, a rectangular bezel with a central cross flanked by letters D and E. 11.03 grams, 26.65 mm overall, 20.86 x 22.20 mm internal diameter (approximate size British W, USA 11, Europe 25, Japan 24)
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman.
