Renaissance Bronze Female Figure

A bifacial wooden Qäqwami Mäsqäl processional cross, three-lobed extremities on three sides, decorated with geometric motifs representing crosses of different types, supported by a lanceolate shaft with two round openwork openings; socketted shaft with vertical grooves and fitted with a double horizontal groove; inscriptions on two of the lobed sides of the cross; accompanied by a custom-made display stand. 600 grams, 42 cm high (49cm high including stand)



Acquired on the London art market, 2003. UK private collection.

The large wooden crosses are often used by ddbtdras, who are unordained members of the Orthodox Ethiopian clergy, for their liturgical dance. In the countryside, one or two of these crosses are kept on the church window-sills close to the area where the dance is performed, instead of being kept in the church storehouse. Sometimes they are mounted upon a shaft and worn in procession. The characteristic feature of a processional cross is a socketted shaft which serves for mounting them on a strong pole known as masor or handle. Although technically the shaft serves to support the cross, according to the interpretation of Ethiopian church scholars, its real function is to protect the cross from being touched.

A translucent, colourless glass finger ring composed of a D-section hoop, expanding at the shoulders to an oval bezel, displaying an encapsulated gold foil cross with expanding arms. 9.73 grams, 29.44 mm overall, 18.16 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)



Acquired 1969-1999. London collection of the late Mr S.M., thence by descent.

A silver cruciform pendant with lobed arms ornamented with pellets, bearing an image of Christ crucified in low relief, suspension loop above. 5.2 grams, 34 mm

Fine condition.

Acquired on the UK art market in the late 1990s. Property of a UK gentleman.