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LOT 2059
Published Iron 'Peerman' Splint Holder
AUSTRIA, 18TH CENTURY A.D.
27 in. (1.7 kg, 68.7 cm).
The sprung nip on a tall stem wrought with three S-scrolls for holding spare splints, on a tripod base.
ProvenanceEx Nic McElhatton, former chairman of Christie's South Kensington.
Property of a Berkshire, UK, collector.
Accompanied by a copy of McElhatton's cataloguing page.
Accompanied by copies of the relevant book pages where published.
Ashley, Robert, The Rushlight and Related Holders - A Regional View, Ashley Publications, 2001, illustrated on p.286, no.249.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 2059
Published Iron 'Peerman' Splint Holder
Estimate £400 - 600€460 - 700 (for guidance only)$540 - 810 (for guidance only)
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Post Medieval Gold Ring with Sardonyx Cameo with Adoration of the Magi
Italy, 15th century A.D.Estimate: £5,000 - 7,000 (+bp*)
Opening Bid: £2,500
Featuring a finely carved sardonyx cameo illustrating the Nativity, with the Virgin Mary extending the Christ Child toward the three Magi bearing gifts, while Joseph stands beside her; the family shown emerging from an arched doorway, beneath the Star of Bethlehem; set in a 19th-century high-carat gold mount, probably English in origin. 4.62 grams, 21.88 mm overall, 18.25 mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 16)
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13334-258013.
The scene is staged horizontally, with the Holy Family at one end and the Magi and their entourage proceeding towards it, essentially unfolding in the foreground in a sort of procession, one behind the other. This was the standard image, although in the Italian School of Renaissance the same scene was often modified according to the vision of Botticelli, who put at the centre the Holy Family. -
Carnelian Gemstone of the Prince of Troy in Gold Ring
Italy, 19th century A.D.Estimate: £3,500 - 4,500 (+bp*)
Opening Bid: £1,750
An oval orange carnelian intaglio with a profile bust of Paris wearing a Phrygian cap, his long locks cascading from underneath it, a Greek pseudo-signature for Maronos on the field; set in a later swivel-ring; supplied with a museum-quality impression. 5.04 grams, 21.88 mm overall, 18.74 mm internal diameter (approximate size British M, USA 6, Europe 12.46, Japan 12)
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13337-257952.
In Classical as in Neo-Classical art, Paris is often depicted wearing the Phrygian cap, and typically portrayed in Persian-style attire, featuring long sleeves and trousers, and a cloak. -
Georgian Gold Ring with Renaissance Cameo of a Muse
16th-18th century A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
Comprising a D-section hoop and a large fluted bezel set with a cameo depicting a female profile bust, her hair pulled to a chignon at the nape of her neck, with two loose strands elegantly resting on her shoulder. 11.70 grams, 27.74 mm overall, 18.38 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13319-257965.
This refined bust captures the timeless elegance of ancient iconography: delicate profile turned to the left, hair held by a chignon and diadem allowing the locks to escape and forming braids. The cameo is Italian and dates to the 16th century, the ring is 18th century.