Program Cover of 50th Anniversary of The Establishment of The Pahlavi Dynasty

Painted on a wooden board with mounting slots and panels to the reverse, gessoed surface with painting of Christ entering Jerusalem on Palm Sunday riding a donkey; crowd within the city wall waiting with palm fronds, two figures laying down cloaks for the donkey to walk on; followers of Christ in gateway, each with golden nimbus; Christ with similar and letters 'ω', 'C' reversed and 'Н'; Cyrillic script title above reciting: 'Entrance of the Lord in Jerusalem'; bands of gilt ornament to the borders and corners. 1.7 kg, 31 x 36 cm



Ed Jackson Auctions USA. From an important collection of icons.

The scene, painted in the style of 19th century romantic painters, represents a well-known part of the Gospels that describe the entry of Jesus into Jerusalem. He makes a grand entrance into the city on a donkey to fulfil the prophesy of Zechariah, “Tell the city of Zion, look, your king is coming to you! He is humble and rides on a donkey and on a colt, the foal of a donkey.” Christ is followed by his disciples and in the background citizens wave palm branches.

Ellipsoid plaque with high-relief nimbate figure of Christ with open book. 5.2 grams, 26 mm



Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003-present.

Depicting nimbate Mary Theotokos with veiled head and wearing a maphorion mantle over a dark blue robe with gold cuffs, inclined towards the infant Jesus supported by her right hand, his left arm wrapped around her neck and the right hand resting on her chest; gilt field and border with colourful enamelled detailing to the corners, roundels and rectangles with monograms and titling, on each side of her head 'ΜΡ ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God), over her left shoulder Cyrillic inscription 'Влади́мирская Б.М.' (Vladimir Mother of God), over the child inscription in Greek letters 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ), three letters (only two visible) inside the nimbus of Christ representing the continuous divine self-existence of Christ as God ('O ѾN' = The Only One who always exists); Moscow School. 6.5 kg, 56.5 x 46 cm

Fine condition.

Ex property of a London lady, part of her family's collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate no. 11543-196361.

This splendid specimen was probably originally housed in an aristocratic Russian home. The icon of the Virgin Mother of Vladimir with the infant Jesus (the original preserved in the Tretyakov Gallery, Moscow), probably the most famous icon of all of Russia, was thought to have been created in Constantinople in the early part of 1100s. This image is sometimes referred to as the ‘tenderness icon’, with artists attempting to show the close relationship of mother and son with their cheeks touching as they embrace.