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LOT 0367
Post Medieval Wooden Painted Casket
FRENCH, 15TH-17TH CENTURY A.D.
7 1/2 in. (612 grams, 19 cm wide).
A wooden casket or reliquary with hand-made iron hinges, lock, hasp and other fittings; painted exterior in red with floral sprays, robed figure with advancing processional cross, robed nimbate figure with episcopal mitre, 'IHS' emblem to one end wall.
ProvenanceEnglish private collection.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Post Medieval Gold Ring with Mercury Gemstone
17th-18th century A.D.Sold for (Inc. bp): £293
A gold finger ring with openwork hoop and split shoulders, ellipsoid bezel with carnelian intaglio of Mercury wearing a petasos. 3.36 grams, 21.24 mm overall, 18.50 mm internal diameter (approximate size British Q 1/2, USA 8 1/4, Europe 18.12, Japan 17)
English private collection. -
Stuart Period Gold, Rock Crystal and White Enamel Ring
17th century A.D.Sold for (Inc. bp): £4,420
A gold ring composed of a slender hoop embellished with tapering, white enamelled shoulders with black enamelled flourishes, fluted box collet setting, set with a pink foil back and table-cut rock crystal; accompanied by a vintage ring box. 1.89 grams, 21.50 mm overall, 16.63 mm internal diameter (approximate size British L 1/2, USA 6, Europe 11.87, Japan 11)
Valued by Bentley & Skinner, Piccadilly, London W1, 2016. Property of an East Sussex collector. Accompanied by a copy of the Bentley & Skinner insurance valuation. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11669-197584.
The V & A Museum explains that during the '...Renaissance, the ring developed from the simple forms of the medieval period into a miniature work of art, combining the skills of the chaser, engraver and enameller as well as the stone cutter. -
Italian Virgin of Tenderness Icon
Circa 19th century A.D.Estimate: £700 - 900 (+bp*)
Opening Bid: £300
A painting on wood of the Virgin of Tenderness, copying an earlier work, depicting Mary dressed in blue robe ornamented with gold stars with an off-white veil delicately framing her face; gently supporting the Child dressed in red tunic; both figures nimbate and affectionately leaning towards each other with their cheeks touching; the scene enclosed in a gilt pseudo-Gothic crenelated frame, an inscription in new Gothic uncial style to the bottom reading 'AVE GRATIA PLENA' for 'hail full of grace'; mounted on a 19th century crenelated wooden pedestal fitted with candle holder to each side in the shape of a flower. 279 grams, 29.5 cm high
Property of a London lady, part of her family's collection.
The panel has many stylistic similarities with that of Icilio Federico Joni (1866-1946) assigned to the style of Sano di Pietro. Compared to that, the head of the Virgin has been realised in a more archaic Gothic style. With their faces gently pressed together, the interaction between the Virgin and the Child evokes a tender intimacy. This motif appears in numerous works by Sano di Pietro and his workshop (for example, in another painting in the Lehman Collection in MET, 975.1.39). The particular manner of concealing the Child’s right cheek behind the Virgin’s face was probably inspired by Madonna painted by the Sienese master Ambrogio Lorenzetti (Pinacoteca Nazionale, Siena).
