Post Medieval Wooden Box with Bone Inlays and Key

A slender bronze posy ring inscribed 'LOVE' to the interior and other worn inscription; hoop split. 0.99 grams, 19.90 mm overall, 17.52 mm internal diameter (approximate size British M 1/2, USA 6 1/4, Europe 13.09, Japan 12)



Acquired circa 2010. From an old Essex, UK, collection.

A gold memento mori ring of composite construction, with everted upper and lower rim engraved with foliate motifs to the front faces, recessed central band engraved with a floral panel and inscription 'IN MEMORY OF', with continued inscription to the interior in cursive script 'O. Coates Obt. 12. Oct 1847, aet 54', followed by the hallmarks comprising: HI or IH maker's mark, anchor for Birmingham, 18 carat mark, George IV duty mark and date letter 'Gothic A' for 1824; field to exterior keyed to receive enamel; seemingly an older ring with later inscription. 1.50 grams, 19.63 mm overall, 17.78 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)



Found Romney Marsh area, Kent, UK. Property of a Kent gentleman.

A magnificent and superb quality Victorian Gothic revival painted altar or reredos panel, as exemplified by the works and designs of Augustus Pugin, on Welsh slate depicting a large golden cross with latticed arms and squared quatrefoil terminals showing the emblems and names of the four Evangelists, Matthew, Mark, Luke and John; the cross set over a circle enclosing a quatrefoil background with the main discus showing a white cross trefoil on a red expanding cross against a green background with the Christogram letters 'IHS' entwined for Jesus Christ; the design set against a dark blue field ornamented with 48 golden radiant six-pointed stars; complete with the original carved oak frame together with the carved oak projecting base plinth shelf with quatrefoil perforations and another Christogram 'IHS' within a blue oval to the central projection. 73 kg total, 134.5 cm base and 159 cm high

Fine condition.

Collection formed in the 2000s. Property of an East Anglia gentleman.

From the 4th century A.D., the vision of Ezekiel and John's Apocalypse, assigned the lion, the angel, the eagle and the ox a stable place in the iconography of the tetramorph to represent the evangelist Mark (lion) next to the calf (Luke), the angel (Matthew) and the eagle (John). They are, in Christian iconography and theology, the four winged cherubs singing the triumphal hymn, exclaiming, proclaiming, and saying: 'Holy, holy, holy, Lord Sabaoth'. The oldest representations date back to the 5th century A.D., and are found in the mosaics of the baptistry of Naples and in the apse of S. Prudenziana in Rome. The tetramorph was a favourite subject in 12th century ecclesiastic art and its use has continued to the present day.