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LOT 0340
Post Medieval Wooden Bas Relief Representing a Gentleman Illustrating an Allegory of Avarice
BELGIUM, ANTWERP, 17TH CENTURY A.D.
13 1/4 x 10 5/8 in. (689 grams, 33.5 x 27.1 cm).
Carved in the half-round, clean-shaven man with cap and flowing hair clutching a bag of coins to his chest with more coins on the surface of the table; mounted on a velvet-covered board with faux-shell detailing to the frame. [No Reserve]
ProvenancePrivate collection, Spain, 2024.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13546-262841.
For painted representations of the Allegory of Avarice csee Frazier, K,B., We are the Reckless, We are the Wild Youth: Decadence and Debauchery in the Art of the Utrecht Caravaggisti, University of Mary Washington, 2015, figs.21,22,24,25.
FootnotesIn the historical context of the Netherlands and Flanders (particularly during the 16th and 17th centuries), the depiction of the seven deadly sins was a central theme in moralising and satirical art. The allegory of Avarice was frequently represented in paintings, as well as in sculptures and wooden bas-reliefs intended for furnishings, architectural panels, or private collections.
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AUCTIONS:
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LOT 0340
Post Medieval Wooden Bas Relief Representing a Gentleman Illustrating an Allegory of Avarice
Estimate £3,000 - 4,000€3,480 - 4,640 (for guidance only)$4,050 - 5,400 (for guidance only)
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Stuart Period Silver-Gilt Claddagh Ring
17th century A.D.Estimate: £200 - 300 (+bp*)
Opening Bid: £100
D-section hoop with bezel formed as two hands encircling a heart with hatched cuffs and a crown above the thumbs. 5.98 grams, 23.63 mm overall, 19.72 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21)
Acquired in the 1970s-1980s. Property of a Kent gentleman, a specialist medieval collector. -
Large Jewelled Brass Thurible from West St. Giles Parish Church
Early 20th century A.D.Estimate: £400 - 600 (+bp*)
Opening Bid: £200
With broad tiered foot, stem flaring to a wide collar with median band, conical upper body and flared mouth with crenellated rim; horizontal bands of scrolled tendrils and roundels reserved on a pounced field; four rosettes to the equator each with an inset polished agate bulb; inscription to foot 'Presented to West St. Giles Parish Church by Mrs Fletcher on the occasion of the Renovation of the Church October 1927'. 2.87 kg, 33 cm
From West St. Giles Parish Church, 1927. Acquired on the UK art market. From the collection of Mr Carlos Bahamonde, Manchester, UK. -
Old Master Drawing of a Kneeling Boy, Italian School
Circa 17th century A.D.Estimate: £400 - 600 (+bp*)
Opening Bid: £200
Study of a kneeling boy, possibly the young St John the Baptist, in red chalk (sanguine) on laid paper; in the Bolognese and Roman academic tradition after the Carracci, comparable to studies from the circle of Carlo Cignani (1628–1719); watermark a bird on three mounts (trimount) within a circle, a mark recorded on 17th-century Italian papers, including drawings made in Rome; chain lines about 28 mm apart. 2.16 grams, 16 x 15.5 cm
Acquired on the UK art market. Property of a Harwich, UK, collector.