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LOT 2106
Post Medieval Silver-Mounted Glass Pendant
GERMANY, 17TH CENTURY A.D.
2 1/2 in. (52.2 grams, 65 mm).
Octagonal in plan with ropework and foliage frame, suspension loop.
ProvenancePrivate collection, Europe.
Acquired on the English art market.
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AUCTIONS:
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LOT 2106
Post Medieval Silver-Mounted Glass Pendant
Estimate £400 - 600€460 - 700 (for guidance only)$540 - 810 (for guidance only)
Opening Bid
£200 (EUR 232; USD 270) +BP*
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Large Rock Crystal Pendant with Cross
Italy, 17th century A.D.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £750
Transparent hexagonal slice of polished rock crystal engraved with the Arma Christi, instruments of the passion, relating to the crucifixion of Christ. 32.3 grams, 84 mm
Acquired on the European art market. -
Renaissance Gold Ring with Agate Cameo of the Presentation of Christ at Jerusalem
Italy, circa 1600 A.D.Estimate: £2,500 - 3,500 (+bp*)
Bids: 1 | Current Bid: £1,250
Ellipsoid bezel with flange rim, inset cameo with a group of four adults holding an infant on a plinth; a rare subject for depiction. 8.91 grams, 24.68 mm overall, 19.41 x 17.44 mm internal diameter (approximate size British P 1/2, USA 7 3/4, Europe 16.86, Japan 16)
Private collection, Europe. Acquired on the English art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13152-248333. -
Renaissance Agate Cameo of Two Owls in Gold Ring
Italy, 17th century A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
Comprising a D-section hoop expanding towards the open-backed setting set with a large brown agate intaglio modelled as two conjoined standing owls, the one at the front facing, and the other looking to the right, intricate feather and facial details, the cameo with a loss on the right-hand side, with the ring incorporating a fine gold repair. 12.74 grams, 24.90 mm overall, 17.00 mm internal diameter (approximate size British M 1/2, USA 6 1/4, Europe 13.09, Japan 12)
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13318-257961.
Even in the Italian Renaissance, the owl, an ancient symbol of the goddess Athena, symbolised wisdom. The owl was also a symbol of the night and death, as is so eloquently illustrated in the 17th-century painting Vanité à la chouette in the Musée des Beaux-Arts de Dijon, which depicts an owl sitting on a human skull next to an extinguished candle.
