Post Medieval Silver-Gilt Ring with Lion

Large paper advertising poster in five tones depicting a country town with a mix of weatherboard, brick-built and Georgian shops and buildings, figures and horses; to bottom left 'Gregory Brown / 38'; title 'Old Country Towns in Southern England' over 'via Southampton Docks or the short sea routes of the Southern Railway'; bottom right 'Printed in Great Britain by Waterlow and Sons, London and Dunstable'; linen backed. 931 grams, 134 x 108.5 cm



Acquired on the UK art market. Property of a Harwich, UK, collector.

F. Gregory Brown was a commercial artist who inspired a generation of designers and helped to improve the quality of pre-war advertising in Britain. 'Old Country Towns' was one of Brown’s last works, printed just before his death aged 54 in 1941.

With blue enamel and framed by a raised border; Saint Julitta and her son, Cyricus, Saint Gregory the Theologian and Saint John the Chrysostom standing beside them at the centre; three half-length figures above: St. Paraskeva (right), Eudokia, and Barbara (left); OCS inscriptions identifying the saints framing the scene; on the top a deesis, with Christ Pantokrator at the centre, flanked by Saint Mary and Saint John the Precursor; at the top left corner Archangel Michael, on the top right corner the Archangel Gabriel; beneath Saint Gabriel, in vertical order, Saint Paul, Saint Gregory the Theologian, Saint Nicholas of Myra, Saint Demetrios; beneath Saint Michael, in vertical order, Saint Peter, Saint Basil the Great, Saint John Chrysostomos and Saint George; in the last row, nearby Saint Andrew, at the centre, the Archangel Raphael, with sword and cross. 360 grams, 14 cm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

This icon was intended for private devotion, often carried by pilgrims and Orthodox believers for spiritual protection. St. Julyttas and her son Cyricus (Ки́рик и Иули́тта), among the most venerated figures in Russian tradition, are depicted in the centre, surrounded by other saints, a symbol of the communion of the righteous in front of the Divine Deesis.

Featuring a round-section large hoop expanding towards the shoulders, a large circular bezel with a Greek key motif encircling the outer rim and set with a brown 'toadstone'. 13.01 grams, 32.42 mm overall, 23.12 x 19.25 mm internal diameter (approximate size British V 1/2, USA 10 3/4, Europe 24.4, Japan 23)



Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13398-257996.

William Shakespeare’s As You Like It, circa 1599: 'Sweet are the uses of adversity, Which, like the toad, ugly and venomous, Wears yet a precious jewel in his head.' Toadstones are mythical stones that were thought to be found inside the head of a toad. They were believed to sweat, change colour or even heat up in the presence of poison. It was thought that a toadstone placed on bites from snakes, insects, spiders and shrews would extract poison from the wound. They were thought to bring good luck and ward off evil, whether in the present life or in the afterlife. The Book of Secrets from the 13th century recommends swallowing the stone to 'cleanse the bowels of filth and excrements'. The stone could then be retrieved and used again. They were often set as amulets and talismans, a practice that continued in Europe until the 18th century. Toadstones are actually the button-like fossilised teeth of Lepidotes, an extinct genus of fish common in the Jurassic and Cretaceous Periods, 200 to 100 million years ago.