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LOT 0361
Post Medieval Painted Wooden Saint Barbara Statue
17TH CENTURY A.D.
52 3/4 in. (38.3 kg, 1.34 m high).
A free-standing, naturalistically modelled figure of Saint Barbara, standing in an animated manner beside a scaled-down tower or turret with stone and glass came detailing, the saint shown with one bare foot emerging from beneath the hem of her luxuriant floor-length robes, adorned with a jewel near her right breast and crowned with a jewelled diadem; extensive remains of gesso and polychrome pigmentation; metal fitting to reverse for securing the figure upright.
ProvenanceEnglish private collection.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11677-199840.
Saint Barbara is the patron saint of architects. Her father constructed a tower and imprisoned his daughter within it. To honour the Holy Trinity, Barbara had three windows incorporated into the design.
The timber shows some old insect flight holes and we are advised that this piece has been recently treated with Permethrin, as a precaution.
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AUCTIONS:
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LOT 0361
Post Medieval Painted Wooden Saint Barbara Statue
Estimate £6,000 - 8,000€6,960 - 9,280 (for guidance only)$8,100 - 10,800 (for guidance only)
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Bronze 'Fauno Rosso' Satyr
19th century A.D.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £750
A bronze figure of a satyr standing on a hexagonal base wearing a goatskin mantle tied by the forelegs around his shoulders, with poppy seed-heads and bunches of grapes by the left arm; in his raised right hand, a bunch of grapes and in his left hand a cudgel; stump of a tree by his right leg and barrel beside his left, with a lamb to the rear placing its foreleg on top; modelled after the so-called Fauno Rosso from Hadrian's Villa, now in the Capitoline Museum. 18.5 kg, 67 cm high
From an important Paris gallery, France.
Half-man, half-beast, satyrs were believed to be the children of goats and mountain nymphs. Followers of the god Dionysus, they had a reputation for drunkenness and spent their days participating in orgiastic rituals. They represented the crude and boisterous facets of the stereotypical male persona, particularly of rural man. -
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Post Medieval Lock and Key Collection
17th-19th century A.D. and laterSold for (Inc. bp): £20
A mixed group of locks and keys comprising: four locking keys with oval bows and plain rectangular bits; a barrel tap key with oval bow and triangular-section bit; a winding key with swivel arm and quatrefoil bow; winding key with heart-shaped plate on a swivel loop; winding key with openwork bow; a miniature padlock. 55.7 grams total, 26-50 mm
Fair condition.
Found Norfolk, UK, before 2001. Private collection of Mr M.H., Norfolk, UK -
Large Veneto-Cretan Icon of Virgin and Child
17th century A.D. or laterEstimate: £5,000 - 7,000 (+bp*)
Opening Bid: £2,250
A large icon depicting the Virgin holding the Christ on her lap on a gilt background, both nimbate, the haloes with punched foliate decoration; the Virgin wearing a carmine red maphorion embellished with golden embroidery and fringes, elaborate cuffs and neckline to the himation; the Christ seated on the lap, holding his right arm out and making the blessing sign with his hand, left hand holding an open scroll inscribed in Greek πνευμα κυριου επ εμε ου ενεκεν εχρισεν με ευαγγελιζεσθαι πτωχοις απεσταλκεν με for 'The Spirit of the Lord is on me, because he has anointed me to proclaim good news to the poor' (Luke 4:18-21), the green chiton and orange himation embellished with red folds; Greek inscription 'ΜΡ ΘΥ' for 'Mother of God' flanking the Virgin's halo, 'IC XC' for 'Jesus Christ' to the right of the Child and inside his nimbus 'O Ѿ N' for 'The Only One who always exists'; some restoration. 4.3 kg, 60 x 42.5 cm
very good condition; tempera on wood panel; vertical crack minimally restored.
Property of a London lady, part of her family's collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by searcher certificate no.11572-198599.
In the Orthodox church, the spaces between the columns close to the central doors of the Iconostasis (Holy Doors) are occupied by two proskynesis icons, representing Christ giving his blessings to the right and to the left the Virgin Mary, with or without the infant, or in interceding position known as Virgin Chalkoprateia type.
