Post Medieval Marble Basket

A gold ring comprising a slender hoop with shell-shaped shoulders, hinged oval bezel with secret compartment revealing a silvered skull framed by turquoise cabochons, the eyes set with diamonds or other stones; accompanied by a ring box. 3.95 grams, 20.00 mm overall, 16.20 mm internal diameter (approximate size British J, USA 4 3/4, Europe 8.69, Japan 8)



Acquired from Berganza, Hatton Garden, London, 2016. Property of an East Sussex collector. Accompanied by a copy of the Berganza invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11666-197585.

Likely a ring of the memento mori genre.

A classic, Renaissance era gold ring composed of a slender D-section hoop, widening at the shoulders, fashioned as architectural capitals with strapwork and elaborate projecting scrolls in opaque white and blue enamel, embellished with red and green enamelled detailing; square bezel with box setting set with a table-cut ruby, pairs of blue enamelled cusplets to each of the four faces, stepped base below ornamented with a black enamelled bead moulded collar, bezel reverse of flat inverted pyramidal form and divided into four triangles, two with black enamelled hatching; retaining the majority of the original enamelling; accompanied by a Les Enluminures presentation box. 4.66 grams, 22.94 mm overall, 16.90 mm internal diameter (approximate size British H, USA 3 3/4, Europe 6.18, Japan 6)



Acquired from Les Enluminures Ltd, Illinois, USA, 2016. Property of an East Sussex collector. Accompanied by a Les Enluminures certificate of authenticity. Accompanied by a copy of the Les Enluminures invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11670-197580.

Rubies were a potent symbol of status and social distinction in later medieval Europe, frequently adorning royal crowns. In the Renaissance, however, they conveyed a personal, more intimate message, their red colour, like the rose, emblematic of love. The intensity of the red colour was often enhanced with a foil lining to the setting and were popular as betrothal and wedding rings. It is believed that rubies symbolised the virtues of marriage and eternal matrimonial love. Such rings held an international appeal, making attribution to specific workshops or countries very difficult. The V & A Museum explains that 'Renaissance, the ring developed from the simple forms of the medieval period into a miniature work of art, combining the skills of the chaser, engraver and enameller as well as the stone cutter.'

A large rectangular ceramic tile displaying a scene with the Virgin and Child flanked by musicians over a winged putti head, winged putti flanking a wreath containing an armorial shield below; egg-and-dart border. 14.9 kg, 66 cm high



English private collection.