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LOT 2208
Post Medieval Livery and Other Button Group
19TH-20TH CENTURY A.D.
3/8 - 1 1/8 in. (531 grams total, 10-29 mm).
A large quantity of buttons of various sizes and motifs to the upper face, most with a loop to the reverse. [No Reserve]
ProvenanceFound on various UK sites since 1974.
Property of an Essex collector.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Renaissance Stained Glass Panel of Saint Leodegar Accompanied by the Arms of Dukedom of Alemannien
Switzerland, Lucerne, circa 1520-1540 A.D.Sold for (Inc. bp): £2,600
Rectangular window glass in lead cames with painted image of St. Leodegar standing in a wooded landscape wearing his episcopal mitre and robes, heater shield at bottom; wooden frame; damaged, the glass elements conserved and available for restoration. 6 kg total, 97 cm high
Collection of Lord Sudeley, Toddington Manor, Gloucestershire. with Schweizer Glasmalereien Vorwiegend des XVI & XVII Jahrhunderts, Munich, Hugo Helbing, 4 October 1911, no.7. UK Trade, 2018. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12567-230649. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Leodegar of Poitiers (c. 615 – October 2, 679 AD) was a Burgundian noblemen and Bishop of Autun, son of Saint Sigrada and brother of Saint Warinus. He was an opponent of Ebroin, the Frankish Mayor of the Palace of Neustria, who arranged for him to be blinded and have his tongue cut out. He was later made a martyr and canonised. Lord Sudeley's collection at Toddington Manor, Gloucestershire, was a treasure trove of Gothic Revival architecture, art, and history, reflecting his deep involvement in the manor's design with over 580 architectural drawings. His collection boasted exquisite 17th-century tapestries, heraldic stained glass, and historical artefacts that chronicled the family's lineage, including links to significant English historical events. Financial difficulties led to the dispersal of these items through auctions, yet the legacy of Toddington Manor endures as a testament to one of Britain's cultural and architectural gems. -
Chinese Archaic Style Bronze Vessel
20th century A.D.Sold for (Inc. bp): £286
With dish-shaped profile to the body, three radiating stub legs, scooped square handles to the everted rim; low-relief cloud pattern ornament; after the antique. 3.15 kg, 30.5 cm wide
From a London, UK, collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Large Cretan Wooden Icon Fragment of Deesis with Christ Pantocrator and Saint John the Prodromos
Circa 1670 A.D.Estimate: £1,200 - 1,700 (+bp*)
Opening Bid: £650
Depicting Christ Pantocrator and Saint John on his side, hand of Mary visible on the left; the Lord of the Universe represented seated upon a cushioned throne, the right hand in blessing gesture, the left hand holding a Gospel decorated with precious stones; wearing a blue chlamys and red sticharion; Saint John in proskynesis in front of Christ, dressed in a brown vestis talaris; the head of both surrounded by a red halo; later wire for hanging to the reverse with an information sheet in German. 1.8 kg, 57 cm
Ex Hargesheimen Auction House, Dusseldorf, Germany. Property of a London, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The icon represents a middle section from a Deesis of a church iconostasis. Although preserved as a fragment, it is designed in the high style of the late 16th century.