Post Medieval Large Tile with Virgin and Child Scene

A large icon depicting the Virgin holding the Christ on her lap on a gilt background, both nimbate, the haloes with punched foliate decoration; the Virgin wearing a carmine red maphorion embellished with golden embroidery and fringes, elaborate cuffs and neckline to the himation; the Christ seated on the lap, holding his right arm out and making the blessing sign with his hand, left hand holding an open scroll inscribed in Greek πνευμα κυριου επ εμε ου ενεκεν εχρισεν με ευαγγελιζεσθαι πτωχοις απεσταλκεν με for 'The Spirit of the Lord is on me, because he has anointed me to proclaim good news to the poor' (Luke 4:18-21), the green chiton and orange himation embellished with red folds; Greek inscription 'ΜΡ ΘΥ' for 'Mother of God' flanking the Virgin's halo, 'IC XC' for 'Jesus Christ' to the right of the Child and inside his nimbus 'O Ѿ N' for 'The Only One who always exists'; some restoration. 4.3 kg, 60 x 42.5 cm

very good condition; tempera on wood panel; vertical crack minimally restored.

Property of a London lady, part of her family's collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by searcher certificate no.11572-198599.

In the Orthodox church, the spaces between the columns close to the central doors of the Iconostasis (Holy Doors) are occupied by two proskynesis icons, representing Christ giving his blessings to the right and to the left the Virgin Mary, with or without the infant, or in interceding position known as Virgin Chalkoprateia type.

A Georgian-era 15 carat gold and silver 'poison' ring, composed of a slender hoop of scrolls and crescents with a plain panel at the base, expanding shoulders formed as openwork foliate flourishes set with small stones; oval cluster bezel set with a central cushion-cut emerald weighing approximately 4.06 cts, held in a pierced setting with twisted gold wire collar, and surrounded by rose-cut diamonds; hinged bezel revealing a secret compartment beneath, the reverse domed and engraved with a stylised shell motif. 10.02 grams, 28.41 mm overall, 17.91 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)



Acquired from Platt Boutique Jewelry, Inc., West Hollywood, California, USA, 2016. Property of an East Sussex collector. Accompanied by a copy of the Platt Boutique Jewelry invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11668-197586.

'Poison rings' became popular in Europe during the 16th century, and Lucrezia Borgia is popularly believed to have used one. The compartment within the bezel was used to conceal poison, a lock of hair or other substances.

A dynamic horse and mounted St George figure in wood; the helmetted rider with billowing cloak; gesso and polychrome; approximately half life-size; mounted on an elaborate custom-made display stand; repaired. 76 kg, 1.77 m high including stand



English private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11672-199837.

Likely derived from a religious scene. The timber shows some old insect flight holes and we are advised that this piece has been recently treated with Permethrin, as a precaution.