Post Medieval Iron Poleaxe with Wooden Handle

Comprising: a spatha-type two-edged tapering blade, lentoid in section with sloped shoulders and short tang pierced by an attachment rivet for the grip; traces to both faces of the blade of wooden fibre from the scabbard; edges lightly notched but substantially complete; the lower guard rectangular in plan and scaphoid in section with inset garnet cloisons, triangular along the lower row and heart-shaped above, rectangular at the top, with small rectangular slivers at each end; accompanied by the upper roundel of the pommel, set with four garnet cloisons. 954 grams, 84.5 cm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no. 12357-225921. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

These ‘ceremonial’ swords (in reality widely used in battle) with an inlaid guard are, according to Kazanski, Late Roman in origin. The cloisonné decoration was probably linked with the production of particularly ornamented swords in the ateliers of the Roman capital of Constantinople. This typology of weapon was not only produced as a gift for foreign chiefs allied to the empire, but it was also adopted by the Imperial army, and reserved for the Imperial officers, who were often of Germanic or Asiatic origin.

With a globular body and tubular socket with two raised collars above and a flaring base; accompanied by a custom-made display stand. 329 grams total, mace: 83 mm



From the collection of the late Sir Clinton Charles Donald Cory, 5th Baronet of Coryton. Ex Philip Auction House, 24 September 1985.

With a lentoid-section blade, tongue-shaped in plan, with an integral tapering hilt with flared finial, lateral flanges to accept a panel of bone to each face forming the grip. 185 grams, 32.5 cm



Ex Abelita family collection, 1980s-2000s.

The art of Luristan can be described as the art of nomadic herdsmen and horsemen with an emphasis on the crafting of small, easily portable objects, among these a great number of bronze weapons. The rich and noble aristocrats of the Luristan, Elamites, Hurrians, Lullubians, Kutians, and Kassites went to battle splendidly equipped and wore magnificent bronze armour, using maces, spears and daggers as offensive weapons, alongside spears, bows and arrows.