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LOT 2137
Post Medieval Inlaid Cross Pendant
18TH-19TH CENTURY A.D.
4 7/8 in. (104 grams, 12.3 cm).
Substantial in form with chamfered edges, ribbed and collared bale, four inset blue glass studs and a central gold-in-glass panel; superficial casting flaws. [No Reserve]
ProvenanceConstable-Maxwell and Lord McAlpine in the 1980s-1990s.
with Iconastas Russian Fine Art and Antiques, London SW1.
Formerly in the private collection of Russian businessman Yuri Golubev (1942-2007), some of his collection was published in his book 'Symbols and Images'.
Ex property of a British gentleman.
Property of a Californian, USA, collector.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
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AUCTIONS:
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Bactrian Style Lapis Lazuli Bead Necklace String
20th century A.D.Sold for (Inc. bp): £65
Composed of alternating quadrilateral tabular and grooved cylindrical beads interspersed with small glass oblate beads; restrung. 32.8 grams, 46 cm
Ex London art market. Property of a North London, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Post Medieval Gilt Plaque with Winged Cherub
17th-18th century A.D.Sold for (Inc. bp): £234
Depicted with a young face, curly hair, crowned by a halo, six radiating wings with feather detail; two holes for attachment. 33 grams, 19 cm
Acquired Brigantia Antiques, York, UK, circa 2007. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The plaque represents the central applique of a riphidion, an ecclesiastic fan worn by the Deacons during the Liturgical celebration of the Orthodox Church. The iconography refers to the Cherubim, the Angelic creatures with many wings and many eyes, ‘Singing the triumphal hymn, exclaiming, proclaiming, and saying' Holy, holy, holy. Fans are appointed to symbolise the invisible presence of the angels during significant liturgical acts. They are carried in the Great Entrance while the choir sings, ‘We who mystically represent the Cherubim and who sing the thrice-holy hymn to the life-creating Trinity, now lay aside all cares of this life, that we may receive the King of All, who comes invisibly escorted by the angelic host’. The altar servers take the place of angels, and they carry seraphic fans like the ancient Roman soldiers who carry the banner of their regiment. -
Cross and Corpus Group
18th-19th century A.D.Sold for (Inc. bp): £33
Comprising three Corpus Christi figures in bronze and bone, modelled in the round with arms outstretched, loin cloth to the thighs, feet placed (on two of them) on the supporting block; one without cross. 171 grams total, 12.6-19.5 cm
From the private collection of Victor Brox (1941-2023), formed in the 1980s-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The artists, probably Italian, with extraordinary dedication and sensitivity, created images of a still living Christ, afflicted by suffering. They had paid great attention to detail, with particular care taken over the softly curled hair, tense musculature, and protruding ribs.
