Post Medieval Gold Ring with Carnelian Gemstone with Fourteen Faces

Devotional pendant with a finely chased and adorned frame with black enamel, encased within a double-sided polychrome enamelled gold Calvary scene, depicting Christ upon the cross with St. John the Evangelist and the Virgin Mary standing on either side; each side with domed pieces of rock crystal, which open to expose both crucifixion scenes. 12.58 grams, 34 mm



Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13400-257999.

Vibrant red carnelian intaglio skilfully carved with a bust of a mature man in three-quarter view, gazing right, wearing a wide-collared, buttoned tunic and a cap, long curly hair framing his bearded face with a deeply furrowed forehead; set in a gold frame with an amphora-like looped handle; supplied with a museum-quality impression. 11.72 grams, 33 mm



Acquired on the European art market.

Edward Burch (1730–1814) was a distinguished English gem engraver and miniaturist, celebrated for his intricate craftsmanship and artistic versatility. A founding member of the Royal Academy of Arts in 1768, Burch gained acclaim for his engraved gemstones, which often depicted classical and mythological themes, reflecting the neoclassical style of the Georgian era. His skill in miniature painting further demonstrated his artistic range and mastery of detail. Highly respected in his time, Burch’s works remain admired for their technical precision and elegance, preserving his legacy as a key figure in 18th-century British art. Inigo Jones (1573–1652) was a pioneering English architect who is widely regarded as the first significant figure to introduce the principles of Renaissance architecture to England. Influenced by his studies in Italy and the works of Andrea Palladio, Jones designed elegant structures characterised by classical symmetry, proportion, and restraint. His most famous works include the Banqueting House at Whitehall, the Queen’s House in Greenwich, and contributions to the layout of Covent Garden. Jones’s adoption of Palladian ideals marked a departure from the Gothic style that had dominated English architecture, laying the foundation for subsequent developments in the Classical tradition.

White coarse paper poster with red printed warning notice for a petrol station; to foot 'copies from Simpsons the Printers, Friar Gate, Derby'. 22 grams, 76.2 x 50.6 cm



Acquired on the UK art market. Property of a Harwich, UK, collector.

'Simpsons the Printers' was a local printing company specialising in postcards and photographic materials, active until the early 1960s.