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LOT 0329
Post Medieval Gold 'More Assured then Professed' Posy Ring
CIRCA 18TH CENTURY A.D.
3/4 in. (2.42 grams, 18.46 mm overall, 16.65 mm internal diameter (approximate size British L, USA 5 3/4, Europe 11.24, Japan 10)).
A gold posy ring with D-section band, inscribed internally with 'More assured then professed' with long S's in lower case with small foliate scroll after. [No Reserve]
ProvenanceAcquired on the UK antiques market between 1974-1985.
Albert Ward collection, Essex, UK.
See Evans, J., English Posies and Posy Rings, London, 1931, for many examples.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0329
Post Medieval Gold 'More Assured then Professed' Posy Ring
Sold for (Inc. bp): £1,040
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Baroque Gold, Ruby and Enamel Ring
Circa 1620-1640 A.D.Estimate: £20,000 - 30,000 (+bp*)
Opening Bid: £6,667
A gold ring composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box. 4.57 grams, 23.32 mm overall, 18.77 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)
Acquired from Les Enluminures Ltd, Illinois, USA, 2016. Property of an East Sussex collector. Accompanied by a Les Enluminures certificate of authenticity. Accompanied by a copy of the Les Enluminures invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11671-197579.
Over the centuries, the ruby became a symbol of the amorous heart and a popular gemstone for betrothal or wedding rings in Western Europe. This gemstone was believed to symbolise the virtues of marriage and convey the desire for eternal matrimonial love. The ruby-red colour was often enhanced by setting the stone on top of a foil. The stones themselves were imported from as far afield as Thailand, Burma and Sri Lanka. Old inventories record them as 'balas rubies', which were sourced to decorate royal crowns. In the 17th century, the red colour was set-off by the pastel shades of satin which were fashionable in dress at the court of King Louis VIII, where the art of enamelling was also practiced. -
Post Medieval Marble Head
20th century A.D. or earlierSold for (Inc. bp): £1,170
A marble head carved naturalistically in the round with cropped hair, wearing a taenia headband seemingly featuring Greek key motif; possibly representing a deity, a muse or even a female satyr; mounted on a carved stone base. A marble head carved naturalistically in the round with cropped hair, wearing a taenia headband seemingly featuring Greek key motif; possibly representing a deity, a muse or even a female satyr; mounted on a carved stone base.
with Arts D'Orient, Artcurial, Paris, 19 May 2014, lot 138. English private collection. -
Limestone Madonna and Child Statue
Circa 16th century A.D.Sold for (Inc. bp): £546
A carved volcanic tuff figurine of Mary standing holding the infant Jesus. 1.5 kg, 26.5 cm high
From Southern Europe. Acquired 1970s onwards. Private collection of Michael O'Hara (d. 2021), Cambridgeshire, UK.
