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Home > Auctions > Starting 2nd December 2025 > Post Medieval Gilt Enamelled Mirror Case Depicting Mercury

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LOT 0371

Estimate
GBP (£) 3,500 - 4,500
EUR (€) 4,050 - 5,210
USD ($) 4,690 - 6,030

Opening Bid
£1,750 (EUR 2,025; USD 2,344) (+bp*)

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Bids: 0
POST MEDIEVAL GILT ENAMELLED MIRROR CASE DEPICTING MERCURY
LIMOGES, EARLY 17TH CENTURY A.D.
5 5/8 in. (168 grams, 14.4 cm).

Finely wrought oval mirror case featuring a vivid polychrome enamel scene on a black ground, enclosed within a gilt-copper frame; the front adorned with a depiction of Mercury, identifiable by his winged helmet and caduceus, standing beneath a classical arch flanked by stylised columns and vases of flowers; above the entablature, a canopy held aloft by two snails, while twin pouring ewers crown the upper corners, issuing stylised streams; the architectural and ornamental elements highlighted with translucent and opaque enamel, highlighted with gilding and intricate punchwork; the frame with a guilloche border, surmounted by a pierced rocaille loop with a scallop motif, and terminating below in a turned pendant finial; the sides of the frame engraved with a delicate foliate frieze, the reverse flat-chased with three vases of stylised flowers issuing from scrolled supports, framed above by draped swags, butterflies, and a winged cherubic mask; the case hinges open at the top, the interior, originally fitted with mirrored glass, now partially oxidised but retaining areas of reflection.

PROVENANCE:
Private collection, France.
Private collection, UK.

This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12998-246011.

LITERATURE:
See a closely related mirror case, almost certainly from the same workshop, in the Cincinnati Art Museum, inv. 1981.145; for the original engraving by Delaune, see the British Museum, London, inv. Gg,4D.66.

FOOTNOTES:
The enamel composition is directly derived from a print by Étienne Delaune (1518/19-1583), from his series Grotesques à Fond Noir, Dieux et Déesses, created in France c.1550–1572 prior to his departure for Strasbourg. Delaune’s engravings were a principal source for Limoges enamellers of the late 16th and early 17th centuries, particularly in the production of oval mirror plaques for personal toilette or cabinet display.

CONDITION
VETTING:
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