Post Medieval Gilt and Painted Wooden Cherub Pair

A wooden painted icon of Saint Eleutherios with a repoussé silver oklad that covers all but the face, embossed in rich priestly robes, representing the priest's omophorion decorated with crosses, over an embroidered robe or sticharion, the nimbus gilded and embossed with foliage and rays over a silver background, Greek inscription 'O AΓΙΟΣ ΕΛΕΥΘΕΡΙΟΣ' (Saint Eleutherios) to the sides. 1.9 kg, 37.5 x 28.7 cm



Property of a London lady, part of her family's collection.

As bishop in Illyricum, Eleutherios promoted the cause of at a time when the persecutions not only made it difficult to win and hold converts, but also at a time when the gravest danger was in being a high-ranking prelate of the Church. Oblivious to this threat, he was acclaimed in the inner circle of Christianity as the brightest luminary of Christian Rome since the apostles. His immense popularity grew and thereby became more dangerous to the state. He was finally brought to the attention of Emperor Hadrian, who ordered his arrest, and then cast into prison, tortured, and put to death on December 15th.

A mixed group of ancient Roman style artefacts comprising: a sestertius of Antoninus Pius, probably a replica; a cameo gemstone displaying a female bust on profile left; a discoid cameo stone displaying a winged cherub; a gold ring composed of a double-loop band with openwork centre, discoid bezel decorated with polychrome glass beads mounted around a central gold foliate sheet. 37 grams total, 19-30 mm



Family collection formed before 1980. Ex property of a Richmond gentleman.

A Queen Anne period gold ring composed of a slender hoop with expanding shoulders formed as the ball-joints of long bones; bezel formed as an elongated stylised skull featuring large eye-sockets set with facetted diamonds; white enamelled teeth and head detailing; accompanied by a vintage ring box. 2.82 grams, 19.54 mm overall,17.22 mm internal diameter (approximate size British J 1/2, USA 5, Europe 9.32, Japan 9)



Acquired from Berganza, Hatton Garden, London, 2016. Property of an East Sussex collector. Accompanied by a copy of the Berganza invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11665-197583.

Likely a ring of the memento mori genre. The V & A Museum states that during the 'Renaissance, the ring developed from the simple forms of the medieval period into a miniature work of art, combining the skills of the chaser, engraver and enameller as well as the stone cutter.'