Post Medieval Bronze Medical Spoon

Mary portrayed with sorrow expression, seated on a marble bench, cradling the body of Jesus on her lap; the maphorion of Mary rendered in red carmine with geometrically shaped folds, embellished with a golden hem, lined internally in grey; the neck and throat of Mary covered by a white fabric, according to the fashion of the time; the haloes decorated with elaborate floral patterns, against a brilliant gold background; on the bottom, hooked rope used for lowering the body from the cross. 2.6 kg, 53 x 45.5 cm with frame

Vertical crack restored, areas of retouching

Acquired on the European art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12792-240886. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The painting belongs to the 16th century Veneto-Cretan School. The Venetians, masters of Crete since the 13th century AD, encouraged their Greek subjects to keep and develop their Christian religious traditions while at the same time bringing them into contact with intellectual trends current in Western Europe. The new artistic currents and the great Byzantine tradition were transferred to the Island which was able to adopt that tradition and create a new one. The icon painters were organised into a guild - the Scuola di San Luca - which promoted a specific post-Byzantine style through a system of instruction and apprenticeship which lasted for more than two centuries.

Tempera on two wooden panels executed on a green ground; the upper part of the left panel showing the nimbate Theotokos (Mother of God) with veiled head and mantle, pointing the infant Jesus supported by her left hand, wearing a red-gold maphorion mantle over a dark blue robe with gold cuffs; the infant facing away to left, dressed in blue tunic, wrapped in a red orange shawl, right hand extended towards his mother in a blessing gesture; beside Mary inscriptions in red Greek letters 'ΜΡ' and 'ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God), and beside the child the Greek letters 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ); in the lower part of the panel, God emerging as a half-bust from the sky, blessing the three theologians, Saint Basil of Caesarea, Saint John Chrysostom and Saint Gregory the Theologian, all dressed in ecclesiastic high garments, their names written in Greek beside their heads; the upper part of the right panel showing Christ Pantokrator, Lord of the Universe, the right hand in blessing gesture, the left hand holding a Gospel decorated with precious stones, wearing a blue chlamys and red sticharion embroidered with a gold clavus; in the lower part Saints Onuphrius, Saint Nicholas of Myra and Antony the Great of the Desert, the first naked and covered only by a leaf, the second in bishopric garments and the third in monastic garments, their names written in Greek beside their heads; all the haloes are in gold, the ones of Christ marked by a red cross. 3.6 kg, 49 x 55.5 cm (opened)



Acquired on the European art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12794-240887. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The diptych is a synthesis of Orthodox belief: from one point of view, it shows the human nature of God, born from the Virgin; from the other the divine nature of Jesus Christ as the supreme Lord of the Universe. The icon skilfully depicts the subjects, with Mary pointing towards the infant Jesus, the faces rendered with dramatically emphasised features and dark tones.

With dentilled edges to the bifid shoulders and fusiform spurs above, lateral bars supporting a tall square-section openwork bezel with inset rose-cut diamond; indistinct maker's mark. 3.96 grams, 26.47 mm overall, 16.64 mm internal diameter (approximate size British L 1/2, USA 6, Europe 11.87, Japan 11)



Acquired in the late 1980s-early 1990s. Private collection, London. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.