Loading, please wait...
_900x900.jpg "Post Medieval Bronze Fire Strikers")
_200x200.jpg "Post Medieval Bronze Fire Strikers")
.jpg "Post Medieval Bronze Fire Strikers")
LOT 1975
Post Medieval Bronze Fire Strikers
17TH-18TH CENTURY A.D.
7 1/4 in. (190 grams total, 18.5 cm wide including stand).
Both with two large arched loops for fingers; one with a triangular, the other with a rectangular striking peen; profile formed as a ship with pointed stern and the bow ending in a volute, engraved wave pattern along the hull; mounted on a custom-made display stand.
ProvenanceGerman art market, before 2008.
Accompanied by a copy of an Art Loss Register certificate no.S00014409.
See Miller, R., The Bryant and May Museum of Fire Making Appliances. Catalogue of the Exhibits, London, 1926, fig.241, for type.
FootnotesThese fire strikers represent one of the typical shape during the 17th and 18th centuries. They were shaped with two bows, and were often decorated with a series of ornamental strokes on the side.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 1975
Post Medieval Bronze Fire Strikers
Estimate £250 - 350€290 - 410 (for guidance only)$340 - 470 (for guidance only)
-
Egyptian Style Cat on Wooden Base
20th century A.D.Sold for (Inc. bp): £416
Modelled in the round in alert pose with gold coloured loop in each ear; bronze or composition on a polished wooden base; after the antique. 1.25 kg total, 20.5 cm including stand
From a private, UK, collection in the 1980s. Property of a London, UK, antiquarian. -
Post Medieval Bronze Vanitas Relief with Skull and Crossed Bones
Germany, 18th century A.D.Sold for (Inc. bp): £468
Comprising a human skull and crossed long bones; mounted on a custom-made display stand. 161 grams total, 66 mm high including stand
Private collection, Europe. Acquired on the English art market. -
Post Medieval Gilt Enamelled Mirror Case Depicting the Roman God Mercury
Limoges, early 17th century A.D.Sold for (Inc. bp): £4,160
Oval in plan with a vivid polychrome enamel scene on a black ground to the upper face of the lid, within a gilt-copper frame: Mercury, identifiable by his winged helmet and caduceus, standing beneath a classical arch flanked by stylised columns and vases of flowers; above the entablature, a canopy held aloft by two snails, with twin ewers crowning the upper corners and issuing stylised streams; the architectural and ornamental elements highlighted with translucent and opaque enamel, highlighted with gilding and intricate punchwork; the frame with a guilloche border, surmounted by a pierced rocaille loop with a scallop motif, and terminating below in a turned pendant finial; the sides of the frame engraved with a delicate foliate frieze, the reverse flat-chased with three vases of stylised flowers issuing from scrolled supports, framed above by draped swags, butterflies, and a winged cherubic mask; the case hinges open at the top, the interior, originally fitted with mirrored glass, now partially oxidised but retaining areas of reflection. 168 grams, 14.4 cm
Private collection, France. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12998-246011.
The enamel composition is directly derived from a print by Étienne Delaune (1518/19-1583), from his series Grotesques à Fond Noir, Dieux et Déesses, created in France c.1550-1572, before he departed for Strasbourg. Delaune’s engravings were a principal source for Limoges enamellers of the late 16th and early 17th centuries, particularly in the production of oval mirror plaques for personal toilette or cabinet display.
