Post Medieval Bronze Button Group

Flat-section hoop with expanding shoulders decorated with floral motifs, raised bezel set with a discoid stone. 7.28 grams, 24.69 mm overall, 17.96 mm internal diameter (approximate size British O 1/2, USA 7 1/4, Europe 15.61, Japan 15)



Prior English collection of Mr A.H.D. Property of a West Northamptonshire, UK, gentleman. Accompanied by an Ancient Art certificate of authenticity.

With D-section shank, ribbed shoulders, raised square bezel with legend 'N · Π / A'; accompanied by a museum-quality impression. 4.86 grams, 23.50 mm overall, 19.96 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21)



From an old English collection, Bournemouth, UK. Ex Parthenon Gallery, London, UK, 2001. Property of a North London, UK, private collector.

Representing the Vladimir Mother of God with the Divine Child; the half-length figure Mary with covered head turned right and with her left hand raised; holding the embracing infant Jesus in her right hand; above them inscription in Greek letters 'ΜΡ ΘΥ' (Mother of God); flanking the central icon and beneath it the images of the Saints Peter, Paul, Peter of Moscow and John Chrysostomos, Saint Gregory and Saint Dimitri; in the foreground the city of Vladimir. 96 grams, 60 mm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The original icon prototype of these smaller icons was the icon of the Virgin Mother of Vladimir with the infant Jesus (the original preserved in the Tretyakov Gallery, Moscow), probably the most famous icon of Russia, which was thought to have been created in Constantinople in the early part of 1100s. This image is sometimes referred to as the ‘tenderness icon’, with artists attempting to show the close relationship of mother and son with their cheeks touching as they embrace.