Post Medieval Bronze Artefact Group

Most with open top to the head to accept hair, painted facial features. 266 grams total, 4.4-10.3 cm



Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Each door a single board with graduated scalloped upper edge, horizontal wooden bars to the reverse, hand-forged iron hinge knuckles and D-section leader to left door; primed with tempera on both faces and painted on the obverse, each with a bottle-green field, blue-grey frontage with vermillion upper storey and gilt roof; Left Door: portion of city wall with tall, narrow building behind, balcony at the upper level with King David standing holding an unfurled scroll, wearing a gilt crown, vermillion tunic and blue mantle; before the wall a winged angel Gabriel holding a frond, wearing a draped mantle over ankle-length chiton and sandals; above, red painted legend 'BOUNA'; to the right edge, a D-section leader painted with red, white and blue diagonal stripes; Right Door: portion of city wall with tall, narrow building behind, balcony at the upper level with King Solomon standing holding a scroll and wearing a gilt crown, similar tunic and mantle to the other; dove descending towards Mary standing before the wall in front of a cushioned throne, with gilt nimbus around her head; red painted legend 'V E S T I R E' above; rare. 13.8 kg total, 132 x 34 cm each



Property of a London, UK, gentleman collector. Accompanied by a copy of a Romanian export licence. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12466-229954. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The 'royal doors' (Greek: Ωραία Πύλη) mark the entrance to the iconostasis (wooden screen hiding the altar) in an Eastern Orthodox church.

In oil and tempera on a slightly curved wooden panel, depicting the Theotokos (Mother of God) and the infant Jesus on a plain green field; Mary wearing a red maphorion mantle over a dark blue robe, with elaborate golden brocade to the hem, floral ornaments to the upper part of the garment; the infant facing to left, resting on Mary's left arm, dressed in white tunic, wrapped in a red shawl, right hand making the pax gesture, left hand extended holding a scroll; Greek inscription in red lettering 'ΜΡ ΘΥ (Μήτηρ (τοῦ) Θεοῦ = Mother of God)' flanking Mary's head; inscription in Greek 'ΙϹ ΧϹ (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ)' above the infant; silver-gilt repoussé cover with inscription. 574 grams, 22 x 15 cm



Property of a London, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The icon shows the Virgin in the attitude of Hodegetria. This is the iconographical type of Virgin Mary one encounters most frequently in an Eastern Orthodox church or home, Hodegetria meaning 'Mother of God Pointing the Way'. The Virgin Mary is shown with the Christ on her lap, looking at the viewer and her right hand indicating Christ, seeming to say 'Follow Him'.