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LOT 1941
Post Medieval Bronze and Silver Artefact Group
17TH-20TH CENTURY A.D.
5/8 - 7/8 in. (18 grams total, 14-23 mm).
Comprising: a gilt base-metal finger ring with quatrefoil; similar with inset cameo; white metal ring with two amethyst cabochons, stamped '925'; button with enamelled 'S' motif; back glass intaglio with profile bust of Alexander the Great. [5, No Reserve]
ProvenanceAcquired on the UK art market.
Ex private Merseyside, UK, collection.
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AUCTIONS:
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Gold Repoussé Decorated Discs
20th century A.D.Sold for (Inc. bp): £182
Each displaying a central cross in circle, pellet to each quarter, border of ringed pellets; pierced for attachment. 8.38 grams total, 40-43 mm
From the collection of a North American gentleman, formed in the 1990s. -
Post Medieval Dutch Glazed Ceramic Canary Tile Set
Circa 17th-18th century A.D.Sold for (Inc. bp): £364
Displaying a polychrome glazed caged canary across four tiles. 768 grams total, 13 x 13 cm each
Acquired 1990s-early 2000s. East Anglian private collection. -
Baroque Gold, Ruby and Enamel Ring
Circa 1620-1640 A.D.Sold for (Inc. bp): £11,700
Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box. 4.57 grams, 23.32 mm overall, 18.77 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)
Acquired from Les Enluminures Ltd, Illinois, USA, 2016. Property of an East Sussex collector. Accompanied by a Les Enluminures certificate of authenticity. Accompanied by a copy of the Les Enluminures invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11671-197579.
Over the centuries, the ruby became a symbol of the amorous heart and a popular gemstone for betrothal or wedding rings in Western Europe. This gemstone was believed to symbolise the virtues of marriage and convey the desire for eternal matrimonial love. The ruby-red colour was often enhanced by setting the stone on top of a foil. The stones themselves were imported from as far afield as Thailand, Burma and Sri Lanka. Old inventories record them as 'balas rubies', which were sourced to decorate royal crowns. In the 17th century, the red colour was set-off by the pastel shades of satin which were fashionable in dress at the court of King Louis VIII, where the art of enamelling was also practiced.
