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LOT 2035
Post Medieval Artefact Group
16TH-19TH CENTURY A.D.
1 - 1 1/2 in. (64.3 grams total, 24-38 mm).
Comprising: two whistles, a padlock, a finial, and a ring with a double cross motif. [5]
ProvenanceEx German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
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AUCTIONS:
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LOT 2035
Post Medieval Artefact Group
Estimate £100 - 140€120 - 160 (for guidance only)$140 - 190 (for guidance only)
Opening Bid
£50 (EUR 58; USD 68) +BP*
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Tudor Period Bronze Hook Fastener Group
Circa 16th century A.D.Estimate: £20 - 30 (+bp*)
Opening Bid: £5
Comprising: a fastener with a bust; a large fastener with a lozenge-shaped plate with a floral motif; a wire fastener with two hooked ends, wire decoration and two decorative beads. 7.69 grams total, 28-41 mm
From the private collection of Graham Slater (1927-2024), Cambridge, UK; formed 1980s-1990s. -
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Gold and Enamelled Pendant for the Order of Saint Dominic
Spain, circa 1630 A.D.Estimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,000
Bifacial openwork pendant decorated with black and white enamel, featuring a central cross with fleur-de-lys terminals, the border decorated with alternating lozenges and annulets; some re-enamelling. 18.33 grams, 56 mm
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13401-257987. -
Romano-Egyptian Style Fayum Portrait of a Woman
20th century A.D.Estimate: £400 - 600 (‡+bp*)
Opening Bid: £5
Portrait of a young woman, her head turned slightly to the right, with an oval face, thin almond-shaped eyes, and a large mouth with full lips; her curly hair arranged above her forehead in a series of rich curls; her clothing consisting of a pink tunic visible at the neck and shoulders; encaustic on wood. 1.73 kg total, 47 x 33.8 cm including frame
Condition In good condition, the painted board has been mounted on to a piece of wood in recent history. The surface has a dirt overlay that is expected with age. Minor losses, affecting the top edge and and left proper edge. Minor losses throughout and one vertical crack runs the length of the wood grain.
Private collection of Dr Fred Olsen (1891-1986) and Mrs Florence Ellen Olsen (née Quittenton, d.1996), Guilford, Connecticut, by at least 1961. Exhibited at 'Coptic Art', The Minneapolis Institute of Art, Minneapolis, Minnesota, 5 December 1961-7 January 1962, no.L-380-2, loan number L61.711.
Fayum portraits, painted on wood or linen, applied to the mummies of the Graeco-Roman period, are one of the most wonderful legacies that the koiné of the Graeco-Roman world has left us. Due to the favourable climate enhancing the state of preservation, these encaustic paintings have left us an almost photographic testimony of the faces of the inhabitants of Roman Egypt.
