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LOT 0427
Post Medieval Agate Cameo with Profile Portrait of the Madonna
ITALY, 19TH CENTURY A.D.
1 3/8 in. (2.77 grams, 34 mm).
Carved in low relief, nimbate profile bust with palla.
ProvenancePrivate collection, Europe.
Acquired on the English art market.
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AUCTIONS:
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LOT 0427
Post Medieval Agate Cameo with Profile Portrait of the Madonna
Estimate £500 - 700€580 - 810 (for guidance only)$680 - 950 (for guidance only)
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Stuart Period Silver Seal Matrix with 'Hurrell Family' Heraldic Shield with Crossbows
England, 17th century A.D.Estimate: £200 - 300 (+bp*)
Opening Bid: £100
A silver chessman-type seal matrix with pierced trefoil head; central heraldic heater shield with three crossbows. 8.58 grams, 26 mm
Private collection, Europe. Acquired on the English art market.
The surnames associated with this crest are: Hurell, Hurle or Hurrell. -
Marble Head of the Greek Goddess Aphrodite
18th-19th century A.D.Sold for (Inc. bp): £5,460
Modelled in the round as a bust of a youthful female, possibly Aphrodite with her hair bound by a narrow filet tied at the nape of the neck and the tails retained by a flat ribbon at the rear; the face perhaps modelled on the statue 'Aphrodite of Knidos' by Praxiteles; socket to crown of the head for attachment of a nimbus (now absent); mounted on a socle base. 12.6 kg, 40.5 cm
Acquired on the Los Angeles art market. Private collection, England. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13095-249678.
This magnificent head of a woman with an elaborate hairstyle is in perfect harmony with the artistic works of several neo-classical sculptors of 18th century, yet subtly different from it in stylistic terms, like Giovanni Marchiori, and to the so-called stone Venus or Flora in the Museo Civico di Treviso. -
Post-Classical Red Agate Gemstone with Omphale
19th-20th century A.D.Estimate: £500 - 700 (+bp*)
Opening Bid: £250
Elipsoid in plan with domed obverse; intaglio with Omphale standing nude on a baseline, right hand on her hip and supporting her club with her left; at her feet an Apulian trozella vessel; supplied with a museum-quality impression. 4.13 grams, 25 mm
Private collection, England.
The figure bears the classic symbol of Hercules - the club - but the details of her nude body and lack of beard indicate that this is a female. Omphale was the queen of Lydia, daughter of the river Lardanos. According to myth, Hercules was a slave to the beautiful queen for three years and was forced by her to dress as a woman and spin wool, giving up his lion's head. It was Omphale who donned her lion's head and wielded the club, as depicted in this intaglio, an allegory of submission and revenge in love. An interesting post-classical work.
