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LOT 2096
Post-Classical Sardonyx Cameo with Helmetted Bust of Athena
18TH-19TH CENTURY A.D.
1 3/8 in. (7.47 grams, 35 mm).
Ellipsoid in plan with a reserved bust wearing a crested helmet and cuirass.
ProvenancePrivate collection, England.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 2096
Post-Classical Sardonyx Cameo with Helmetted Bust of Athena
Estimate £500 - 700€580 - 810 (for guidance only)$680 - 950 (for guidance only)
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Large Post-Classical Glass Paste Cameo of a Female Figure with Eagle
20th century A.D.Estimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,000
A cameo scene comprising a standing female figure with hair tied in a chignon, approaching a perching eagle with wings spread and clutching a sphere in one claw; the woman drawing the bird's beak close to her forehead; the eagle with claws extended leaning on a branch; exergue below. 118 grams, 87 mm
Private collection, England. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13172-249567.
The eagle is probably a metamorphosed personification of Jupiter, and the globe is a symbol of domain and military power. The scene is an interesting allegorical composition with possible references to the metamorphosis and Jupiter's love affairs, considering the presence of the naked female figure. The peculiar superimposition of the limbs is inspired by ancient models. The scene is engraved on the white layer of the glass paste, characterised by a dark violet second layer (seen with a powerful light from the back). On the back, traces of the glass dough melting. The evident presence of clear engraving marks and the cut glass bubbles confirms the fact that this work is an intaglio (not a cast). A work with a personality, showing undercuts. -
Indian Mutton Fat Jade Carved Fish-Shaped Gunpowder Flask
Late 20th-21st century A.D.Estimate: £200 - 300 (+bp*)
Opening Bid: £100
Carved in the round in the form of a fish with S-curved body in grey-white stone; the finial a bird's head and neck; fish-head with open jaws, lotus-flower knops as stoppers. 331 grams, 19.5 cm
Private collection, UK. -
Stuart Period Gold Mourning Ring with Rock Crystal Gemstone
England, 18th century A.D.Sold for (Inc. bp): £2,860
Decorated with black enamelled foliate engraving; bezel set with a table cut rock crystal compartment containing some hair of the deceased; inner face engraved ‘Capt(ain). G Squrritt ob 1 Jan 1724’ and the maker's mark ‘GE’. 3.33 grams, 20.04 mm overall, 17.17 mm internal diameter (approximate size British M, USA 6, Europe 12.46, Japan 12)
Private collection, Europe. Acquired on the English art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13055-248357.
Mourning rings were made to commemorate the death of an individual. Similar examples are held in the British Museum's collection, including AF.1547; AF.1551; AF.1550; AF.1552; AF.1549. While the majority of mourning rings tend to refer to the deceased by initials and death only, this ring mentions the deceased's family name in full, which is usually the case for people of note/influence.
