Loading, please wait...

Post Classical Gemstone Collection Post Classical Gemstone Collection Post Classical Gemstone Collection
Use mousewheel to zoom in and out, click to enlarge
Details

LOT 2108

Post Classical Gemstone Collection

19TH CENTURY A.D.

3/8 - 1 in. (9.71 gram stotal, 9-24 mm).

Comprising: three carnelian intaglios with profile busts; an agate intaglio with profile bust; a lozenge-shaped intaglio with bird and other symbols, possibly made of stained bone; an octagonal green stone intaglio with worn motif; and a lapis lazuli bead. [7]

Provenance

Acquired on the European art market.

CONDITION
VETTING:

TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process


AUCTIONS:

TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.

LOT 2108

Post Classical Gemstone Collection

Estimate £200 - 300€230 - 350 (for guidance only)$270 - 410 (for guidance only)

Opening Bid
£5 (EUR 6; USD 7) +BP*

Sign in to Bid

Please enter a e-mail
Please enter a password
Or Create Account here.
Please confirm to accept TC and Privacy policy

Bids: 0
RELATED LOTS
  • Grand Tour Stone Cameo with Bust of Ajax
    Grand Tour Stone Cameo with Bust of Ajax
    18th century A.D.

    Estimate: £300 - 400 (+bp*)

    Opening Bid: £150

    Large oval cameo with profile bust of the Greek hero Ajax, shown bearded and with his helmet pushed up exposing his face. 27.3 grams, 48 mm



    UK private collection, acquired on the French art market in the 2000s.

    Ajax is recorded in The Iliad as ‘the best man among the Thracians, being both brave and of great stature’. He was one of the strongest warriors for the Achaeans, second only to his cousin Achilles. His epic duel with Hector is detailed in the seventh book of the famed poem by Homer.

    Lot Details

  • Simonetta and Renée, Grand Hotel de Milan Editorial Proof by Helmut Newton
    'Simonetta and Renée, Grand Hotel de Milan' Editorial Proof by Helmut Newton
    Dated 9 January 1998 A.D.

    Estimate: £200 - 300 (+bp*)

    Opening Bid: £5

    Framed with a white card reveal, monochrome image of a young woman smoking a cigarette wearing an eye-mask; with collector's slip stating (inter alia) 'Archive Date: 9/01/98' and 'Historical Significance: Shot in late 1997 by the 'King of Kink', this photograph epitomises Newton's lifelong obsession with old-world European grand hotels as cinematic backdrops for high-society mystery and female empowerment. Because the Madrid proof is dated January 1998, it represents a highly coveted "contemporary press proof" - printed and evaluated in real-time immediately following the image's original media debut.' 174 grams, 35.5 x 28 cm including frame



    Acquired on the UK art market. Property of a Harwich, UK, collector.

    Lot Details

  • Georgian Gold Mourning Ring with Opening Clasped Hands
    Georgian Gold Mourning Ring with Opening Clasped Hands
    Dated 14th December 1874 A.D.

    Estimate: £400 - 600 (+bp*)

    Opening Bid: £5

    Formed of a wide band with faux-ropework borders and plaited brown hair, hinged outer cover with the locking mechanism formed as two clasping hands, three circular openings with decorative cuts on each arm; inside engraved with 'Dbre 14/74'. 8.44 grams, 24.71 mm overall, 17.09 mm internal diameter (approximate size British N, USA 6 1/2, Europe 13.72, Japan 13)



    From the old family collection of a West Country, UK, lady; acquired by descent from her grandfather circa 2001.

    This ring features the ancient fede motif of two hands clasped together. These symbols represented love and fidelity. The ring was likely a token of love symbolising everlasting devotion, or possibly a betrothal ring. The motif of the two clasped hands was already in use in ancient Rome, as a symbol of pledging of vows, which derives from the Roman dextarum iunctio (right hand joined). Fede rings remained popular throughout Europe until well into the 19th century.

    Lot Details