Polish Iron Sabre

Comprising four tanged arrowheads, two with elongated triangular blades and raised midrib, sharp central groove, cylindrical stem with handle for the shaft; one with barbed shoulders and convex sides; one with narrow and flattened blade and short tang; the javelin head with slightly rounded shoulders, lanceolate shape and flattened blade. 164 grams total, 13.1-17.8 cm



From London art market, acquired in 1990s. Ex C.J. Martin, London, UK. Accompanied by a copy of the Spanish export licence.

These types of arrowheads were commonly used in Anatolia and Mesopotamia from the 2nd millennium B.C., but it appears that their employment began earlier in this area, where types like these occur alongside the non-barbed, predominantly ribbed and tanged types.

Comprising four sword belt strap ends of roughly rectangular form, with one rounded or gabled end and one fishtail end, each bearing a different nielloed decorative scheme, comprising: one with split front plate bearing geometric foliage framed by radiating lines to the perimeter; one with pelletted border and medial scrolled bar; one displaying a medial row of circular recesses and surrounding circular motifs; one decorated with five medial circular recesses on a ground of foliate forms, pellet border; all with a set of mounting lugs to the reverse. 34 grams total, 37-50 mm

Fine condition.

Acquired in the 1980s-1990s. Ex an important central London gallery, London W1.

During the medieval period, belts had a range of functions. They girdled the clothes and enabled suspension of small items such as knives, whetstones, purses and leather bags. The decoration of the belt depended on the social status of its owner: peasants wore woven and simple leather straps, whereas feudal lords, prominent warriors, and princes wore golden belts, which were passed down through the generations.

Comprising an embossed fragment of a breast-plate from muscle-type armour (thorax statos) representing Herakles fighting against the Hydra of Lerna; three-quarters of the hero's body preserved showing him naked in a dynamic position, wearing a fluttering short cloak (chlamys), overlooking the body of the monster of which the long tail covered with scales and fins is visible; fragment of cloak preserved separately. 122 grams total, 3.4-17.5 cm

Good portion of armour, extremely rare

Acquired on the French art market before 2000. From an EU collection before 2020.

This kind of armour is very rare, especially for this period, when most of the attested armour is plain or only slightly decorated. The young Herakles appears in heroic nudity running to the right, but, as on the cheek-piece from Gurlo, his head was probably turned in the opposite direction. The plasticism of the scene finds a good match in the Thracian tradition of the representation of weapons and armour, and the embossed elements with the highly prized work of the Panagyurishte treasure. The warrior-theme and the representation of Herakles or other fighting scenes on the Thracian and Hellenistic armours was a reference to the spirit of the immortal fighter.