Pierre Bonnard, Les Maitres de l'Affiche, Plate 38 - Original La Revue Blanche Poster

Formed as a hand showing figa gesture, silver mount with applied twisted wires; attachment loop and ring to the top. 19.6 grams, 56 mm



Private collection, Europe. Acquired on the English art market.

Mano Fico, as protective amulets have been used since the ancient world, it was believed to protect from the evil eye and other dark and magical forces and to promote fertility. In ancient Rome, the fig sign, or mano fico, was made by the pater familias (father of the family) to ward off the evil spirits of the dead as a part of the Lemuria ritual. The ancient Greeks wore amulets of the gesture around the neck to protect from the evil eye, and also used the gesture in artwork. What they considered an overtly sexual gesture was expected to distract evil spirits from causing harm. The pendant would have been worn from a belt or from a chatelaine containing other protective talismans. This carving would have served as a token representing a person's pilgrimage to Santiago de Compostela, one of the very few places in which jet can be found and mined since at least the Middle Ages.

Including 'Amnesty International', 'I'm Not a Tourist ... I Live Here' and other types. 33 grams total, 24-56 mm



From the private collection of a S.W. London gentleman, acquired in the 1970s.

Rectangular in plan with dressed upper face, painted with legs and feet in advancing pose on a baseline, portion of kilt above the knees, reed in diagonal position behind and hand to the rear with green bangle; repaired. 1.18 kg, 21.5 cm wide



Acquired on the UK art market, 1990s. Private collection, New York, USA.