Phoenician Stone Bird-Shaped Weight

The large liturgical rattle with a columnar handle composed of a bifacial figure of Bes standing on a lotus capital, flanked by seated sphinxes, his feathered crown supporting the bust of goddess Hathor wearing a broad collar and a curling wig, two rearing uraei emerging from the sides to support the base of the rattle, both wearing the pschent crown, above the cobras a standing figure of the goddess Hathor in cow form, wearing a tripartite wig and a sun disc between the horns; the rattle with a looped body with flared outer rims and set with three metal rods to accept metal discs, a pair of reclining lions to the base and the top with three felines surrounding a cockerel, and resting one of their front paws on the bird. 1.52 kg, 39.5 cm



German art market. European private collection, 1970s-early 2000s. Acquired from the above; thence by descent. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12348-225588.

The sistrum (seshesh in ancient Egyptian) was a rattle-like musical instrument, played exclusively by women in religious ceremonies. It was often decorated with the bust of the goddess Hathor to whom the sistrum was sacred. Their use continued into the Roman period in ceremonies associated with the cult of Isis.

Ellipsoid in plan with transverse piercing, impressed intaglio scene of 'beast-tamer' motif (human figure in profile with one arm extended towards a rampant ibex); aqua glass; repaired. 4.28 grams, 19 mm



From the collection of Mr S.M., London, UK, formed from 1979-1999.

Comprising a carnelian scaraboid with a stylised bird with open wings to the underside, pellets to the field; set in an openwork bronze pendant frame with tubular loop. 3.84 grams, 18 mm



From an early 20th century Home Counties, UK, collection.