Phoenician Inscribed Bronze Scaraboid Seal

Fragment of a carved panel or vessel depicting a female bust - possibly a queen or Isis - modelled in half-round relief, wearing a loosely draped tunic, a tiered wesekh collar, and a heavy curled, tripartite wig; reverse with lotus flower ropework and other ornamentation; mounted in a later gold suspension frame. 8.75 grams, 38 mm



Private collection, Southern France, 1970s. Acquired on the English art market.

Foliate blade and tapering, short tubular shaft, marked mid-rib and rounded shoulders. 204 grams, 28 cm



Ex Abelita family collection, 1980s-2000s.

With the introduction of the socketted spearhead in the Middle East in the second half of the 3rd millennium BC, by the middle of the 2nd millennium, socketted spearheads became dominant throughout the ancient East and Egypt, and spearhead design has remained virtually unchanged since then.

Depicting in high relief the Osirian triad (Isis, Horus, Nephthys) standing side by side on an integral plinth against a dorsal pillar; Nephthys (right) and Isis (left) are shown frontally, wearing headdresses with their specific attributes, each holding the hands of the central Horus figure, shown naked and with the side-lock of youth; a ribbed loop at the top for suspension. 8.56 grams, 33 mm



From the collection of a Swedish noble family, 1920s.

Isis and Nephthys operate as complementary sister deities who guard both Osiris and the deceased through mourning, magical protection, and ritual lamentation, while Horus, the child of Isis, signifies renewal and legitimate kingship. On amulets, the triad translates into a compact visual statement of protection: the deceased is imagined as being held within the sisters’ magical and ritual care, while Horus embodies the successful outcome of that protection in the form of rebirth and continuity.