Phoenician Alabaster Spindle Whorl

This expertly carved high-relief scene depicts three male figures with short hairstyles, each wearing a short kilt tied at the waist; the left and central figures carry a small furnace by curved handles, preparing to smelt copper; the central figure also holds a metal poker in his free hand; the figure on the left supports a large container at chest level with one hand; finely rendered hieroglyphic inscriptions in front of each figure record a dialogue among the three metalworkers; the leftmost figure, facing the others, declares “Ptah could not have done better”; the central figure responds with three lines of text “Ptah loves him to pour (into) the brazier of the flame”; the inscription before the rightmost figure reads “copper of the baskets”; together, the second and third texts may be interpreted as “Ptah would love him to pour copper from the baskets into the furnace”; the composition likely formed part of a larger scene illustrating metalworking activities; supplied with a custom-made stand. 21.35 kg total, 53.5 cm wide including stand



with Toufic Arakji, Hamburg, by circa 1980. Private collection, acquired from the above, circa 1980-1994. with Sotheby’s, New York, Antiquities and Islamic Art, 8 June 1994, no.23. Private collection, 1994-2010, acquired at the above sale. with David Aaron, London, UK, 2010-2011. with Daniel Katz Gallery, London, UK. UK private collection. Accompanied by an academic report by Egyptologist Sylvie Caroff. Accompanied by a copy of an Art Loss Register certificate no.S00142449. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The mention of Ptah – patron god of craftsmen – links this piece to Memphis, suggesting it came from the tomb of a high-ranking official or priest.

Gentle trapezoidal plinth with modelled depictions of two long-tailed lizards on the top; four evenly spaced holes pierce the plinth for attachment. 12 grams, 54 mm



From a UK dealer since the 1970s. From an old London, UK, collection since circa 1985. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The lizard was the animal manifestation of the creator god Atum. His sun-god aspect is embodied in the lizard's need to bask in sunshine.

Designs include: a line border enclosing a kneeling figure holding a staff, flanked by coiled cobras; a line border enclosing user, m, Re, and ankh signs; a line border enclosing a standing figure before a rearing cobra, with both figures surmounting a neb sign; a line border enclosing numerous hieroglyphs: a nefer sign flanked by sun discs, men, m, meru, neb signs with a falcon in front; a line border enclosing a central cartouche-shaped panel with neb, a, and ro signs, flanked by nefer and wadj signs. 10.6 grams total, 13-20 mm



Acquired on the European art market in the early 2000s. with Galerie Rhéa, Zurich, Switzerland. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.