LOT 3139
Phoenicia, Sidon. Uncertain Ruler AR Sixteenth Shekel. Circa 4th century BC.
Phoenician galley to left / Persian king or hero, holding dagger, standing to right, fighting lion standing to left on its hind legs; Phoenician letter between; all within incuse square. Cf. HGC 10, 240 (Sakton II). Near Very Fine.(0.63gr, 9mm, 12h.).
ProvenanceFrom the collection of a gentleman, acquired on the London art market in the 1990s.
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AUCTIONS:
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Nabataea, Aretas IV, with Shaqilat AE 20mm. Struck AD 20-40. Petra mint.
Sold for (Inc. bp): £7
Jugate busts of Aretas and Shaqilat to right; [H-F?] in Aramaic across fields / Crossed cornucopiae; legend in Aramaic between and below. Cf. Meshorer, Nabataea 114. 4.83gr, 20mm, 6h.
Near Very Fine.
From the collection of a gentleman, acquired on the London art market in the 1990s. -
Judaea. Hasmoneans, Alexander Jannaios(?) (Yehonatan) AE Prutah. 104-76 BCE. Jerusalem mint.
Sold for (Inc. bp): £33
Legend in Paleo-Hebrew within wreath / Splayed double cornucopiae with pomegranate/poppy between the horns. Cf. HGC 10, 638. 1.59gr, 13mm, 4h.
Near Very Fine.
From the collection of a gentleman, acquired on the London art market in the 1990s. -
Thessaly, Pharsalos AR Drachm. Late 5th-mid 4th century BC. Signed by the engraver ΤΗΛΕΦΑΝΤΟΣ (Telephantos) and ΙΠ- (Ip-).
Estimate: £2,500 - 3,500 (‡+bp*)
Opening Bid: £1,250
Head of Athena to right, wearing crested Attic helmet with raised cheek pieces; behind neck, ΤΗ above ΙΠ (engravers' initials) in small lettering / Φ-Α-Ρ-Σ clockwise around Thessalian cavalryman riding horse prancing to right, wearing petasos, chlamys and chiton, and holding lagobolon over his right shoulder; in exergue, Τ (engraver's initial). Lavva 86 (O43/R51); BCD Thessaly I 1284 var. (TH in exergue); BCD Thessaly II 639 var. (no ΙΠ); HGC 4, 624. 5.95gr, 18mm, 9h.
Good Extremely Fine. Tiny cut on reverse. Attractive toning with golden iridescence around the devices. Sharply struck and surprisingly detailed.
From a Swiss collection, acquired prior to 2005. Ex Nomos AG, Auction 21, 21 November 2020, lot 145 (company's ticket included).
If the harmony and the aristocratic inner peace of the portraits are the first thing that catches our attention, it is the extremely detailed rendering of the figures, especially on the reverse, that makes the viewer cling more to their admiration for this coin. Each depiction of Athena’s head in these emissions of Pharsalos makes us believe that she has her own character and that no two are the same, even though they share the same characteristics. Athena in our coin looks like a tender girl with a serious but innocent look in her eyes. Her divine power, despite her young age, is not violent; it is simply inherent in the serenity of her gaze. On the other hand, the detailed rendering of the cavalryman’s and horse's face, the texture of his chlamys, the harmonious matching of muscles and joints in the horse's body, and even the pronounced veins in the horse's belly convince us of a talented engraver and a gifted artist.
