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LOT 2009
Persian Glazed Ceramic Vase with Polo Player
19TH CENTURY A.D.
12 5/8 in. (2.15 kg, 32 cm).
Piriform in profile with decoration in two panels: mounted polo player on galloping horse raising his mallet above his head; hares running through vegetation. [No Reserve]
ProvenanceFrom the collection of a Hampshire, UK, gentleman, established from the 1960s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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Medieval Style 'Billy and Charley' Lead Alloy Shadwell Type Shrine Forgery
19th century A.D.Sold for (Inc. bp): £260
Vesica-shaped diptych with standing nimbate Mary and child; openwork panel with mail-clad knight wearing a plumed helmet; believed to be by William Smith and Charles Eaton, 'dated' 1006 A.D. 241 grams total, 16 cm
Received from the curator of Leeds Museum by descent, circa mid 1980s. Ex property of a Yorkshire lady. From the private collection of a Cheshire, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
"Billy and Charlies", also known as the Shadwell forgeries, refer to a very extensive series of fake antiquities made in Victorian London by William Smith (Billy) and Charles Eaton (Charley). They were mudlarks who searched the Thames for items of value. William Edwards, a London antique dealer, made Billy's acquaintance around 1845, and he met Charley some years later. He paid them for items of interest that they found. Billy and Charley earned money from this until 1857, when they decided to counterfeit antiquities. They cast objects from lead or pewter, cutting dies into plaster of Paris moulds with nails and knives, and bathing the finished items in acid to simulate aging. Their commonest products were medallions, but others included daggers, statuettes, ampullae and even small shrines; as they were both illiterate the inscriptions on many of the objects are nonsense. They sold their forgeries to very prominent collectors of the time who thought they were genuine. Eventually, due to the large volume of objects that were appearing on the market, they were arrested and tried at court though they could not be found guilty of any crime at the time. They were released and carried on producing fakes but their style of manufacture had become well known and they eventually disappeared from history. -
Roman Style Silver Ring with Gorgon
20th century A.D.Sold for (Inc. bp): £143
Round-section hoop, discoid bezel with low-relief gorgoneion motif. 12.29 grams, 24.52 mm overall, 17.80 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16, Japan 15)
Private collection of a North London lady before 2000. Property of a London, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Silver-Gilt Brooch with Inset Gemstones
18th-19th century A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
Comprising a circle of cells each with an inset gemstone, radiating birds and interstitial leaves, the upper bird with a pearl in its beak; drop pearls to each end, piriform cabochon drops below; hinged pin to reverse. 19.36 grams, 64 mm
Acquired in the late 1980s-early 1990s. Private collection, London. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12803-241424. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.