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_200x200.jpg "Parthian Terracotta Horse-Head Finial")
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LOT 0612
Parthian Terracotta Horse-Head Finial
2ND-3RD CENTURY A.D.
3 in. (62 grams, 79.5 mm).
A hollow-formed horse-head finial with ribbed mane to the arched neck, elaborate bridle strap detail.
ProvenanceFrom an important central London collection formed since the mid 1960s; thence by descent.
From the private collection of John Meredith, acquired since the 1990s; thence by descent.
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AUCTIONS:
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Greek Terracotta Goddess Figure
4th-3rd century B.C.Sold for (Inc. bp): £338
Tanagra type, hollow-formed with a void to the reverse, standing female in tiered robe wearing a diadem and with her hair drawn back, applied torch in her right hand. 18 grams, 12 cm
European art market. Acquired in Münich in 2012. European private collection. -
Greek Silver Earring Pair with Nike
3rd-2nd century B.C.Estimate: £600 - 800 (+bp*)
Opening Bid: £300
Each with a hook and spherical beads, applied collars and a winged figure of Nike with arms extended. 9.66 grams total, 34-37 mm
Acquired before 1983. Ex London gallery, 1990s. Private collection, London, UK. -
Greek Red-Figure Bell Krater Belonging to the Chevron Group
Apulian, 4th century B.C.Estimate: £2,500 - 3,500 (+bp*)
Opening Bid: £1,389
With reserved herringbone band beneath the rim, wave pattern to be the baseline; Side A: young man with thyrsus and pendant streamer holding a phiale, a loose mantle draped from the elbows; Side B: head of a lady of fashion with white accents to her stephane and hair drawn up in a chignon, a volute and window before her. 1.11 kg, 23.2 cm wide
Acquired on the art market between the late 1990s and mid-2000s. Estate of the late Barry Paul Buxton (1944-2024), Oakham, Rutland. Acquired on the UK art market, 2025. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13071-249285.
Bell kraters were commonly used in regions of ancient Italy for mixing and serving wine during communal gatherings, thanks to their wide shape and flared mouth. These vessels also served as artistic expressions, reflecting the cultural tastes of the time. The Chevron Group is the conventional name for a group of ancient Apulian red-figure vase painters who were active in Southern Italy between approximately 335-310 B.C. They are named for their distinctive use of a band of chevron patterns to encircle the rims of the small kraters (mixing vessels) they decorated.
