Parthian Terracotta Horse and Warrior Rider

With flared and carinated foot, broad stem, ovoid body, carinated shoulder, everted rim with lip, D-shaped antefixes and lateral pendant loop handles; band of ivy to the neck and meander to the lower edge, frieze with figural scenes: Side A - seated female with thyrsos pointing towards Eros with head turned regarding her, wings spread; Side B - seated female in tiered robe pointing towards standing Eros with wreath, objects in the field; by the Ascoli Satriano Painter; restored. 1.82 grams, 33.5 cm



Ex private collection, previously with Bonhams Auctions, Bond Street, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13353-259030.

Female heads and Eros figures are common features on the vases attributed to the Ascoli Satriano Painter. His real name is unknown, and he has been named after a northern Apulian town, where many of his vases have been found.

Broad and squat with thick rim and carinated foot. 17.4 grams, 44 mm



From the collection of David Donlan (1947-2025), a dedicated and lifelong collector with a passion for the ancient world and the natural sciences, forming his collection from 1960s onwards, using many reputable dealers across the United Kingdom, including the well-regarded Coincraft and The Parthenon Gallery.

Achaemenid or Parthian oval intaglio engraved with a style standing at the threshold between natural and stiff rigid linear style, depicting a goat-headed rhyton, the vessel terminating in the forepart of a wild goat with the front leg tucked under the body, the head rendered in profile with elegantly arched horns, pronounced muzzle, and carefully incised eye; the neck of the conical rhyton decorated with diagonal and cross-hatched incisions suggesting ribbing or chased metalwork; set in a modern gold ring with a small triangular area at the top left of the stone filled in with gold; supplied with a museum-quality impression. 8.51 grams, 24.02 mm overall, 21.18 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)



Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13356-257945.

The subject, a rhyton terminating in an animal protome, belongs to a well-established tradition in Eastern Greek and Achaemenid art of the late Archaic and Classical periods, in which zoomorphic libation vessels were used in ritual and ceremonial contexts. Goat-headed rhyta, though less commonly preserved in glyptic media, are attested in silver and ceramic examples, notably from Asia Minor and Thrace. The stylised horned animal, here likely a wild goat or ibex, is associated with vitality and mountain symbolism, while the rhyton itself signals elite drinking culture and votive use. The use of carnelian is typical of high-quality glyptic production in the 6th to 4th century BC, valued for its durability and ability to take a fine polish. The style and iconography suggest an Eastern Mediterranean origin, most probably Ionian or Anatolian.