Parthian Bronze Vessel

Modelled in the round with anatomical detailing, undercut between legs and stomach; feet forming a wedge-shaped panel. 24.6 grams, 22 mm



Private collection of Contessa L.J., since the 1980s. Private collection, acquired in 2001. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12898-241690. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Standing female deity (Astarte?), wearing a long robe and a broad textured necklace; arms bent and hands placed on the chest; beaked facial features with applied eyes. 78 grams, 14 cm



From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cylinder with standing male figure with a pair of animals to each side, restrung pair of red stone beads, old handwritten label '1647'; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Cream Fossil Shell, 37 x 22 mm. In the centre stands a divine hero, nude, and gripping the neck of a horned animal on either side, each of which is being attacked by a lion with erect tail. For a terminal there stands a tall tree. This is an early Akkadian seal from Mesopotamia or West Iran, c. 2300 B.C. The symbolism comes from temple herds, which were liable to be attacked by lions at this time. They believed that certain gods and divine heroes could rescue their animals from such attacks, and by showing such scene on their seals they hoped to achieve the result be sympathetic magic.'; accompanied by a museum-quality impression. 37.6 grams, 37 mm



Armand Trampitsch, Glyptique Archéologie, Paris, Hôtel Drouot, 13-14 May 1992, no.23 [Part]. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in 1992. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.