Parthian Bronze Ring with Running Animal

With flared mouth, wide neck, bulbous body and ring foot, painted in brown and red matte glaze; geometric pattern spread over several registers separated by bundles of encircling stripes, triangles with hatching inside them, neck with metopes containing swastikas, rosettes and rhombuses with a band of rhombuses beneath; the shoulder with five line friezes arranged one above the other; the body decorated with meander and a band of rhombuses and triangles with hatching below, a broad black stripe (in places reddish as a result of misfiring) to the lower part; transition to the ring foot and ring foot painted black; wide strap handle attached to the shoulder and painted on the outside with a wavy line framed by dots, edge stripes and three small stars, the connecting bar patterned with stripes; museum-quality restoration. 2.04 kg, 35.5 cm



Ex Madame P., Paris. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12460-228686. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Vessels of the Geometric Period (900-700 BCE) are easily recognisable by their abstract decorative designs, which had their origin in woven textiles and baskets. While early period pottery typically has sparse geometric motifs on a black background, the amount of the decoration increased progressively to the point that objects from the late Geometric period are often entirely covered - in this example, even the strap handle.

With short strap handle below mouth, piriform body, painted radiating and horizontal bands; mouth with painted bands to rim and base. 51 grams, 80 mm



From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Seated on a high-backed throne, wearing a polos headdress with two long braids falling from underneath the headdress, wearing a long chiton fastened by a belt, the left arm raised, possibly once holding a dove; well marked facial features, slightly almond-shaped large symmetrical eyes with slightly raised eyelids, straight nose, strongly pronounced mouth with fleshy lips and shallow ears; traces of brown slip, repaired. 2.02 kg, 57.7 cm



with H.A.C., Basel, prior 1999. Accompanied by a thermoluminescence analysis report no.N125a51 from Oxford Authentication. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12461-228712. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

One of the most typical 6th century B.C. terracotta female figurines was that of a standing or seated woman wearing a chiton and a himation over it. It was a votive figure offered at the shrines or temples, usually representing the goddess Demeter. Attica was one of the principal centres of figurine production, but Corinth continued to produce solid standing or seated females with moulded fronts and flat backs. The mass production of such terracotta was also typical of Magna Graecia.