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LOT 2501
Papua New Guinea Polished Axe Head
PAPUA NEW GUINEA HIGHLANDS, 19TH CENTURY A.D.
5 1/4 in. (7 1/2 in.) (359 grams, 13.5 cm (512 grams total, 19 cm including stand)).
Polished black basalt asymmetrical axehead with narrow rounded butt and broad cutting edge; old collector's labels and inked inscription; mounted on a custom-made stand.
ProvenanceWith old label: ‘New Guinea NG 13 F.S Clark collection’ an inscription to reverse: ‘R. Stonard Coll 53.141’.
British collection F.S Clark.
Gemme Nummarie, UK.
Acquired by the present owner from the above.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
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AUCTIONS:
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African Slave Trade Bronze Manilla Bracelet Group
Early 19th century A.D.Sold for (Inc. bp): £33
Comprising: one large with keeled body and incised decoration to the terminals; the other with a hinged round-section body and clubbed terminals. 981 grams total, 58-91 mm wide
Acquired from Morthets Auctions, Yorkshire, 2009. Property of a Nottinghamshire gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
African Silver-Gilt Chain Section
19th-20th century A.D.Sold for (Inc. bp): £312
Fully articulated chain formed from cast links with six radiating arms, each arm terminating in a domed rosette. 390 grams, 17 cm
with a London, UK gallery 1971-early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
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African Slave Trade Manilla Currency Bracelet Group
19th century A.D.Sold for (Inc. bp): £39
Group of two penannular round-section bracelets with clubbed ends. 29 grams total, 58-84 mm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
