Loading, please wait...
LOT 2114
Original NASA Press Photograph Group
1962-1968 A.D.
9 7/8 x 8 - 10 x 8 in. (71 grams total, 25 x 20.4 - 25.4 x 20.5 cm).
Comprising: original photo print of an astronaut with press and others around him, endorsed 'NASA For Release: February 22, 1962. NASA Photo No. 62-MA6-119. Cape Canaveral, FLA. Astronaut John H. Glenn Jr after world orbital flight, surrounded by fellow Astronauts Donald K Slayton and M. Scott Carpenter'; rocket lifting off from launch pad, endorsed 'John F. Kennedy Space Center, National Aeronautics and Space Administration, Kennedy Space Center, Florida 32899. Photo Credit: NASA or National Aeronautics and Space Administration..... Photo No 126P-KSC-67P-122 For Release March 22, 1967 Kennedy Space Center, FLA -- A Delta launch vehicle carrying an Intelsat 11communications satellite lifted off at 20:30 EST from Cape Kennedy's Launch Complex 17. NASA launched the satellite for the 56-nation International Telecommunication Satellite Consortium. The new commercial communications satellite will be placed into a stationary orbit above the Atlantic Ocean and will relay telephone, television, teletype and facsimile transmissions between North America and Europe. It also will provide communications support for NASA's Apollo lunar landing program. Two previous Intelsat satellites linked the United States mainland with the Pacific, the new one joins Early Bird, the world's first commercial communications satellite over the Atlantic; Saturn V rocket ready for lift-off, endorsed 'John F. Kennedy Space Center, National Aeronautics and Space Administration, Kennedy Space Center, Florida 32899. Photo Credit: NASA or National Aeronautics and Space Administration.....107-KSC-68P-120 UNCL.4-4-68. NASA/SATURN. The National Aeronautics and Space Administration's second unmanned Apollo/Saturn V space vehicle was launched today at 7:00 AM EST from Kennedy Space Center's Complex 39. Saturn 502'; original print of an astronaut on the surface of the moon with Lunar Roving Vehicle in foreground, notation 'NASA AS15-85-11437' to top left, no endorsement. [4, No Reserve]
ProvenanceAcquired on the UK art market.
Property of a Harwich, UK, collector.
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Post Medieval Brown Glazed Money Box
17th-18th century A.D.Sold for (Inc. bp): £59
Hand-thrown pot with bulbous body and a trumpet-shaped foot; a wide slit to the upper part of the body. 297 grams, 12.5 cm
Acquired on the UK art market. Property of a Kent, UK, lady collector. -
Museum Quality Replica the Babylonian Tablet of King Nabu- apla-iddina, Also Known as the Sun God Tablet in the British Museum
21st century A.D.Sold for (Inc. bp): £143
Resin casting of the tablet with ornament; obverse: frieze with two opposed standing figures below a pediment with mythological creatures, cuneiform text below and in the scene; reverse: dense panel of cuneiform text; cosmological symbols to upper edge; mounted on a custom-made stand. 1.15 kg total, 21 cm including stand
From the collection of David Donlan (1947-2025), a dedicated and lifelong collector with a passion for the ancient world and the natural sciences, forming his collection from 1960s onwards, using many reputable dealers across the United Kingdom, including the well-regarded Coincraft and The Parthenon Gallery. -
Marble Fountain Sculpture of a Putto Wrestling a Fish
Baroque, 17th century A.D.Sold for (Inc. bp): £598
Standing on an angular base resting his left knee on the open jaws of a fish, his left arm holding the jaws open, the body and tail held upright be the raised right hand (partly absent); with heavy sulphured patina. 20.75 kg, 48 cm
Acquired prior to 1970. From the estate of a Swiss gentleman, Ticino. Private collection, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12790-240308.
In ancient Roman art and architecture, fountains were often decorated with sculptures of young boys or putti holding fish. These sculptures were known as 'putti with fish' or 'boy with fish' and were a popular motif in the decoration of fountains. The young boy or putto was shown holding a fish or a shell, which would spout water into the fountain basin below. The fish was a particularly popular motif because it symbolised abundance, fertility, and prosperity, which were all important values in ancient Roman society. Overall, the putti with fish sculptures are a notable example of the art and architecture of ancient Rome and have continued to be an enduring symbol of beauty, abundance, and prosperity throughout the centuries. Archaeological excavations in Pompeii have revealed many examples of sculptures of putti with fish. The putti with fish sculptures from Pompeii were usually made of bronze, marble, or terracotta. They were often placed in the centre of the fountain, surrounded by other decorative elements such as flowers, plants, and other sculptures. Many of these putti with fish sculptures are now on display in the National Archaeological Museum of Naples. The museum also houses a famous mosaic of a putto with a fish, which was discovered in the House of the Faun in Pompeii. The putti with fish sculptures from Pompeii and those in the Naples Museum provide valuable insights into the art and culture of ancient Rome. They demonstrate the importance of beauty and abundance in ancient Roman society and offer a glimpse into the everyday life of the people who lived in Pompeii over two thousand years ago. In the 17th and 18th centuries these sculptures were imitated and used to decorate the fountains of royal palaces and palaces.
